A favorite Verdi performance from swordsnsolvers A favorite Verdi performance from swordsnsolvers

Here in Chicago, I’ve had many a shot at listening to Riccardo Muti as a Verdi conductor.

Thoughts on <em>La Gioconda</em>: the others Thoughts on <em>La Gioconda</em>: the others

Yes, there were other Giocondas if not of quite the same distinction. Chronologically…

Thoughts on <em>La Forza del destino</em>: recordings Thoughts on <em>La Forza del destino</em>: recordings

As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.

Slow simmer Slow simmer

This was by far my most satisfying experience with Pelléas et Mélisande for a multitude of reasons and I encourage anyone who’s even mildly curious to find their way to the Music Center for a very rich experience.

Love me or leaf me Love me or leaf me

Robert Carsen‘s legendary production of Eugene Onegin finally arrives in San Francisco.

‘Così,’ cheap ‘n cheerful ‘Così,’ cheap ‘n cheerful

In 2022, making Così fan tutte intimate is not a radical act. Making it enjoyable, however, is.

Let’s twist again Let’s twist again

In San Francisco Opera’s new Così fan tutte, the elements that most visibly read as “American” were a penchant for slapstick humor, overcooked blocking, and an abundance of cartoonish period costumes that hobbled the opera’s first act.

No country for gold men No country for gold men

Trove Thursday offers two very different live recordings of Halévy’s grand opera La Juive.

Under the silver lake Under the silver lake

“Who knows what evil lurks in the hearts of men?” went the introduction to the 1940s radio program The Shadow, an apt description for the San Francisco Opera’s production of Rusalka.

House of the setting sun House of the setting sun

When a work is named for its lovers one might legitimately expect that pair to dominate its performance but in my experience that is never the case with Debussy’s Pelléas et Mélisande.

Marquis name Marquis name

For opening night of the new LA Opera season Placido Domingo decided to return to one of his best Verdi showcases, Don Carlo, only this time as the baritone, Rodrigo the Marquis di Posa, instead of the title character.

Black Friday Black Friday

Usually the longer I know a work the more I look forward to rediscovering it, but that’s just not the case with the Verdi Requiem.

Z to A Z to A

Today’s offering is an electric performance of Verdi’s early potboiler Attila conducted by Giuseppe Sinopoli.

Fifty shades of gold Fifty shades of gold

Anticipation of events like the Metropolitan Opera’s 50th Anniversary bash turns me back into the newly opera-soused kid who begged his parents to let him watch the highlights of the Bing Gala on the family color television.

Winning streak Winning streak

Like our beloved Cubs, Chicago Lyric Opera is in the midst of a championship season.

Old school Old school

This week, I offer you a classic rendition of Richard Strauss’ tale of the House of Atreus starring Ursula Schröder-Feinen, Astrid Varnay, Leonie Rysanek, Theo Adam, and Hans Hopf under Karl Böhm’s direction.

Woeful countenance Woeful countenance

“Trove Thursday” steps in with one of René Jacobs’s favorite and rarest rediscoveries, Francesco Conti’s marvelous Don Chisciotte in Sierra Morena from 1719.

Doge days Doge days

That Placido Domingo and James Levine, the Met’s inexorable septuagenarians, would team up yet again—on April Fools’ Day, no less—for a revival of Verdi’s Simon Boccanegra occasioned an uncomfortable degree of doubt and dread.

Lady on demand Lady on demand

If you had told me 20 years ago that at some point in the future I would have over 550 of the Metropolitan Opera’s performances, audio and video, at my command with the touch of a button I would say my eulogy had just been read and I’d been taken to my reward.

How Green was my Verdi How Green was my Verdi

As the world knows, Anja Harteros dropped out of this series of Don Carlo for a stab at Aïda in Rome. Illness sidelined Ramón Vargas from the title roles in both Don Carlo and Werther. While Wiener Staatsoper has been plagued with cancellations all season (even substituting L’elisir d’amore for La Juive at the last…

Past imperfect Past imperfect

One of my adolescent pastimes was trolling the classical cut-out bins in record stores searching for overlooked gems or unfamiliar singers.

Best laid chats Best laid chats

Reflecting my new mantra — “and would have gone on longer, had he not died” – here is The Curate’s Egg edition of the Saturday breakdown.

My God, it’s full of stars!

Ioan Holender was General Manager of the Wiener Staatsoper for nineteen years, the longest anyone has held this post, and the august institution honored him with the gala to end all galas in the final days of his administration.  With the goal of commemorating each of the 40 new productions premiered at the Staatsoper during…

Des grandeurs de ce monde

Don Carlo is truly a grand opera, Verdi’s biggest, no matter if it’s the four or five act version.  It is a bitch.