All I cared about was Bess
Opera’s latest superstar, Angel Blue, in a compleat and enthralling portrayal, gloriously sung and rivetingly acted.
Opera’s latest superstar, Angel Blue, in a compleat and enthralling portrayal, gloriously sung and rivetingly acted.
The first livestream of the 2019-2020 Metropolitan Opera Season begins at 5:30 for the cher public’s delight!
For the academics who may be reading this: Let Me Die exists in a confounding but intriguing interpretive liminal space.
Kudos to Opera Philadelphia for programming Handel’s Semele in its exceptionally interesting and wide-ranging Festival 2019; unfortunately, despite an extraordinary cast, James Darrah’s drably dull production doomed it.
On this day in 1982 the Larry Grossman / Betty Comden / Adolph Green musical A Doll’s Life opened on Broadway and closed after five performances.
Happy 78th birthday soprano Anna Tomowa-Sintow.
Employing the most slimly elegant resources, Festival O’s Denis & Katya is a monumental, dramatically shattering event.
From the Opéra Royal de Wallonie-Liège. The stream goes live at 2:30 PM.
Opera Philadelphia’s Love of Three Oranges is never less than extravagantly entertaining theater.
On this day in 1968 mezzo-soprano Shirley Verrett made her Metropolitan Opera debut as Carmen.
“Here’s just one more catastrophic crisis — and it seems that at the Met, sufficiently powerful, popular men are beyond reproach.”
Broadway star Kelli O’Hara stepped out of her comfort zone.
Yusif Eyvazov will sing Calàf in the October 3, 6, 9, and 12 Met performances of Puccini’s Turandot.
“Trove Thursday” offers Offenbach’s irreverent La Belle Hélène featuring the beauteous Véronique Gens.
The Philadelphia Orchestra’s opening night concert, for better or worse, was not a gala evening starring Plácido Domingo.
On this day in 1974 the Winter Garden Theatre was evacuated due to a bomb threat.
The Metropolitan Opera Guild has come such a long way since the days of dear Mrs. August Belmont!
Happy 48th birthday soprano Anna Netrebko.
Born on this day in 1933 actress Dorothy Loudon.
“This influx comes during a time in which opera companies around the country… are struggling to compete with the addictive quick-pleasure center that is the smart phone.”
The musical director of the Opera Royal de Wallonie at Liege is currently experiencing the early phase of a promising international career in music.
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