This woman is dangerous
Renée Fleming—stylish dame with a stylish name—who lived by jungle law in a big city and clawed her way to where the money was…
Renée Fleming—stylish dame with a stylish name—who lived by jungle law in a big city and clawed her way to where the money was…
Do we do what we have to do? Or do we have to do what we do?
On the day of the Super Bowl, I attended a near-sold-out screening of the Paris Opéra’s recent production of Rameau’s 1735 opéra-ballet Les Indes galantes at New York’s Alliance Française.
Happy 93rd birthday to soprano Leontyne Price.
The beloved lyric soprano has died, according to press reports.
On this day in 1974 soprano Kiri te Kanawa made an emergency Met debut as Desdemona (and her broadcast debut.)
It’s 2020, Ivo’s the new Ethel Merman, and I caught a preview of his fourth Broadway show and first Broadway musical, West Side Story.
One final hearing of the Berlioz this afternoon.
Born on this day in 1888 actress Dame Edith Evans.
Handel’s biting Agrippina finally arrived at the Metropolitan Opera Thursday evening 310 years after its Venetian premiere.
Is there any opera more bullet-proof than Le Nozze di Figaro?
The Bayerische Staatsoper offers an all-Bartok program called Judith this afternoon.
On this day in 1928 soprano Grace Moore made her Metropolitan Opera debut as Mimi.
Pretty is its own reward.
Trove Thursday celebrates Leontyne Price’s 93rd birthday on Sunday with a pair of her rarest collaborations with Herbert von Karajan: Bruckner’s Te Deum with Hilde Rössl-Majdan, Fritz Wunderlich and Walter Berry and Brahms’s Ein Deutsches Requiem alongside José van Dam.
Wednesday night’s New York Philharmonic concert was a high-stakes performance for a number of reasons.
On this day in 1968 mezzo-soprano Fiorenza Cossotto made her Metropolitan Opera debut as Amneris.
It is rare to be moved to tears by a lieder recital. It is rarer still to be moved to tears by the third song on a recital program.
On this day in 1959 soprano Leonie Rysanek made her Metropolitan Opera debut as Lady Macbeth.
“Evgeny Nikitin will sing the Dutchman in all performances of the Met’s new production of Wagner’s Der Fliegende Holländer, replacing Sir Bryn Terfel, who withdraw last week due to ankle surgery.”
In Winterreise, Peter Mattei’s persona is burly and brusque, a sarcastic introvert, full of contempt for his romantic weaknesses with squalls of anger and lyrical reflection by turns.
It is with a heavy heart that La Cieca predicts the demise of New York City Opera.
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