Éclatantes beautés!
On this day in 1889 Massenet’s Esclarmonde premiered in Paris.
On this day in 1889 Massenet’s Esclarmonde premiered in Paris.
Anthony Dean Griffey sings the title role in John Doyle‘s notorious lemon of a production.
From the Grand Théâtre de Genève under the baton of Marc Minkowski.
Trove Thursday turns to another epic opera in which the personal and the political intertwine: Prokofiev’s War and Peace.
Born on this day in 1925 soprano Patrice Munsel.
Majestic Jessye Norman in a legendary Met portrayal from 1987.
A production from the Poznan Opera at Polish National Opera, as performed September 20, 2019.
Born on this day in 1922 actress Bea Arthur.
Conducted by the composer and starring Audrey Luna, Isabel Leonard, Alek Shrader, Alan Oke, and Simon Keenlyside. Transmitted live on November 10, 2012.
Lady M, an Online Fantasia on Verdi’s Macbeth, Heartbeat Opera’s creative and thought-provoking foray into the Zoom opera scene, left me feeling alternately pensive, hopeful and somewhat uneasy, in a good way.
Congratulations to kankedort who correctly identified 17 of 24 selections!
On this day in 1988 the musical Carrie opened on Broadway, to run five performances.
A visually luxurious production from the Finnish National Opera and Ballet.
Jonas Kaufmann makes the gigantic stretch of playing a melancholy artist.
The competition to guess the identities of 24 sopranos singing “O hehrstes Wunder!” ends tonight, Monday May 11 at midnight EDT.
Asmik Grigorian stars as Tatiana in this video from the Komische Oper Berlin, directed by Barrie Kosky.
On this day in 1965 the Kander-Ebb musical Flora, the Red Menace opened at the Alvin Theatre to run 87 performances.
The classic double bill of potboilers, as telecast in 2015.
Gregory Kunde heads this cast of this new production from l’Opéra Royal de Wallonie-Liège.
Reducing Antony and Cleopatra to the status of mere mortals makes their torrid, tragic love seem rather ho-hum.
“Met’s Roller Coaster Season Dips Back Into Artistic Basement with Walküre“
On what would have been the last night of the 2019–20 Met season, Susan Froemke’s acclaimed 2017 documentary.
I think that Cat on a Hot Tin Roof is the Williams play I have seen most often, on stage and through film. So, shall we share some observations on some of these experiences?
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