questo e quello
Born on this day in 1873 writer Sidonie-Gabrielle Colette.
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Only in Los Angeles, City of La La, could this season have happened.
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Live from the Komische Oper in Berlin: the premiere of Barrie Kosky‘s new production of La bohème.
Yannick Nézet-Séguin’s “Music of Faith” with the Philadelphia Orchestra was a sensational concert, perhaps the best I’ve heard in more than a season.
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On this day in 1974, Carol Channing opened in the musical Lorelei at the Palace Theatre. The show ran 320 performances.
Tchaikovsky’s Iolanta and Bartók’s Bluebeard’s Castle both use themes of vision and revelation to ask compelling questions about knowledge, responsibility, and gender.
Iolanta was crowned on Thursday evening by Sonya Yoncheva’s haunting portrayal of the blind title character.
The Future Met Wiki’s details on the company’s 2019-2020 season (due to be unveiled a few weeks from now) still includes occasional lacunae as to casting.
I do not envy Jennifer Rowley the task of stepping into Anna Netrebko’s shoes.
Hear the symbols ring as the Met’s moody double bill returns to the stage.
Sondra Radvanovsky in a “Three Queens” concert and The Queen of Spades, plus three cycles of the Ring (senza Sondra) highlight Lyric Opera of Chicago’s 2019-2020 season.
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