preview
Doing my research for these “thoughts” ahead of a starry revival in London that opened yesterday, I came across the following review for the Opening Night of the 1962-63 Season.
Culture at the Crossroads: Zlatne Uste Golden Festival lives on at Astoria World Manor
Maria Callas’s official debut in opera was as La Gioconda in 1947 at the arena in Verona.
Amilcare Ponchielli’s La Gioconda might not be a perfect opera (though I don’t see why not) but it is one of my favorites…
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
It is a measure of Verdi’s genius that throughout the four rambling acts, his musical invention in the service of creating characters never failed him.
Following the composition of Un ballo in maschera, Verdi had gone into a self-imposed retirement, at least musically; he had not composed a note in four years.
I’ve argued with myself for many years as to which was my favorite opera by Giuseppe Verdi, La forza del destino or Don Carlos. The latter finally won out especially after studying it in depth, but in the long run, it is the music of Forza that I love the most.
Fire up your calendars, cher public! The quintet of parterre box scribes who will be reviewing New York area performance are ready to share with you their choices for Must See Opera in the fall of 2019!