Christopher Corwin

Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.

Unhappy ‘Hours’

The film of The Hours failed to effectively weave together the novel’s trio of threads of interiority about suicide and secondarily literary creation. I wondered if an opera would stand a better chance at achieving that?  Based on Tuesday’s diva-encrusted stage premiere of Kevin Puts and Greg Pierce’s The Hours, its creators didn’t pull it off either.

By 143 comments

Tragic carpet ride

Diva November on Chris’s Cache continues with a half dozen of my favorite singers performing solo concert works you’ve likely never heard them in before: Janet Baker, Cecilia Bartoli, Cathy Berberian, Bernarda Fink, Elina Garanca and Jessye Norman in music by Haydn, Monteverdi, Schoenberg, Wagner, Porpora and Beethoven.

By 26 comments

Sign up for Parterre’s free newsletter.

Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.

By submitting your email address, you will receive a free subscription to Parterre Box’s email newsletters and occasional special offers from us and our affiliates. You can unsubscribe at any time and we encourage you to read more about our Privacy Policy.