(A)nything (B)ut (C)armen
Calling from 2066, Brendan Latimer argues that the best way to save opera might be to just blow up the standard repertoire altogether.
Trouble in Tahiti
12 pieces since 2007.
12
pieces
20
years
Comic relief
Pacific Opera Project’s high-spirited revival of Fra Diavolo is both therapy and an escape.
Bernstein Double Bill
Trouble in Tahiti and A Quiet Place in a performance recorded last fall in London
Back to the island
Annapolis Opera presented a celebration of Leonard Bernstein’s reflections on love, relationships, and marriage, pairing a fully staged production of Trouble in Tahiti with a collection of songs from other Bernstein compositions.
Easily assimilated
I’ve never liked the term “crossover.”
Trouble in paradise
Although Leonard Bernstein’s Trouble in Tahiti is always categorized as an opera, the piece certainly has one foot planted firmly in his jazzy musical-theater style.
Lakeside ‘Story’
Sunny, lakeside Cooperstown presents a peppy, exuberant, winning production of West Side Story, the musical.
Midcentury, modern
In recent years, Opera Paralléle has established a reputation for creative programming of contemporary opera in San Francisco. Persuaded both by the promise of an unusual Bernstein-Heggie double bill, and the unusual venue of SF Jazz’s Miner Auditorium, I had the pleasure of attending an excellent production this past week.
What’s at stake for a soul on fire?
Norman Dello Joio, who was knocking about winning prizes for film and TV scores, composed The Trial at Rouen, his second opera on the subject, for NBC.
Trouble in Thebes
What to do with all those glorious short operas: play them alone or find companion pieces?
Abel bodied
I received a package in the mail this afternoon from La Cieca, and eagerly tore it open. I knew that this was to be my parterre review assignment… rapture! It was a CD of an opera: The Brothers composed by… George Antheil? Who the fuck is that? After researching him for a bit, I got […]
Off the air
I’ve found myself procrastinating endlessly over this review. I’m always excited by the chance to hear recently composed operas, and have a weak spot for the American repertoire. So I had overly high hopes for Paul Salerni‘s Tony Caruso’s Final Broadcast. At first listen, I found myself underwhelmed, slightly off put by the blending of […]
None dare call it twaddle
“In Leonard Bernstein‘s clever one-act opera Trouble in Tahiti, the heroine describes a gaudy movie musical as so much ‘Technicolor twaddle.’ If Tan Dun‘s new work The First Emperor (heard at the Metropolitan Opera on December 29) can hardly be dismissed as twaddle, it never attains the epic status to which it aspires.” Our publisher […]
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
