Best laid chats
Reflecting my new mantra — “and would have gone on longer, had he not died” – here is The Curate’s Egg edition of the Saturday breakdown.
261 pieces since 2005 — at 10 companies, most often at Metropolitan Opera.
Reflecting my new mantra — “and would have gone on longer, had he not died” – here is The Curate’s Egg edition of the Saturday breakdown.
Not a few eyebrows arched on social media when L.A. Opera appropriated the hashtag “Fight like a girl” on street level poster adverts all over town for the revival of their 2013 production of Giacomo Puccini’s Tosca.
LoftOpera is just one, though perhaps the liveliest, of many homegrown opera troupes in Brooklyn.
Whether an opera by Puccini, Verdi, Wagner, Strauss, or Berg, Dimitri Mitropoulos brought to the podium a total understanding and love for each score he touched.
Sondra Radvanovsky was a force of nature as Tosca on Thursday night at the Met.
On this day in 1958 the Metropolitan Opera opened its season with Tosca, featuring Renata Tebaldi, Mario del Monaco and George London.
Since no doubt the New York contingent of the cher public are already shuddering in anticipation of a Kristine Opolais Tosca as a “gala” New Year’s Eve treat, La Cieca thought you might enjoy—again, surely too strong a word—a preview of sorts.
After nearly three years and over 20 performances Michael Mayer’s “Las Vegas” production of Rigoletto at the Metropolitan Opera still outrages many.
The Met’s premiere production of Verdi’s Attila is terrible. Are you surprised? Attila is like a self-conscious stroll down Rodeo Drive – or even worse, to the Mall of America – reducing an opera about ruthless tyranny brought down by ruthless vengeance to a quaint and insipid fashion show.
I’m not sure who I find more annoying – the partisans who vigorously defend Luc Bondy‘s production of Tosca at the Met or those who decry it. As Bondy’s production replaces one of the Met’s signature offerings, both groups have seized on this event as a watershed event in the history of opera in America […]
You could say last night at the Met was a typical Aprile Millo performance, if that expression were not essentially an oxymoron. “Typical” and “Millo” really don’t intersect in this dimension (maybe somewhere on a spiritual plane? But I digress.) Let’s just say that, what happens at a Millo night, happened last night, which is […]
When handing out the goodies, the gods weren’t stingy with Shirley Verrett. Few opera singers were as prodigiously gifted as Verrett: the perfect amalgam of Kunst and Stimm housed in a frame of voluptuous allure. In addition to an instrument of stunning natural beauty and easy range, Verrett displayed superior musicianship, dramatic intelligence and searing […]
April is the cruelest month, the song tells us—but this year, it was a week later. Ghenady Meirson, Philadelphia’s master of Russian Opera and coach extraordinaire, died on May 8.
This new DVD release from EMI of the Royal Opera’s latest production of Puccini’s Tosca will no doubt be snatched up by hordes of grateful fans around the globe.
La Cieca has found a few fragments from last night’s performance of Tosca at the ROH — only about 15 minutes of music, but enough, perhaps, to give a hint of the suitability of Angela Gheorghiu for the title role. La Cieca’s take (based on an in-house mike, remember!) is that the Roman diva is […]
The San Francisco Opera is batting a thousand where young singers are concerned this season.
Can it all be true? She did what? He said what?
At Wolf Trap Opera, a season-closing Tosca is weighed down by an incoherent setting during Italy’s Anni di piombo.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.