Alexander Birch Elliott‘ s dynamic if gauche Zurga added some pizzazz to an otherwise bland evening.
There are shows with iconic characters, and there are shows with iconic characters playing iconic characters.
“Trove Thursday” keeps the evil deeds going this All Saints’s Day with a vintage La Scala broadcast of Arrigo Boito’s only completed opera Mefistofele.
“Trove Thursday” offers due local Lombardi: one with Renata Scotto and José Carreras, the other with Aprile Millo and Carlo Bergonzi.
Next, I asked Marko Mimica which basses he prefers to listen to on recordings.
By the end of the first act, it was clear to me that I was experiencing an artist performing at her absolute peak.
I clearly remember the day I first heard the voice of Cesare Siepi.
Der Rosenkavalier (on Blu-ray and DVD) is from the Met HD broadcast which also happened to be the final performance of the run, becoming a true souvenir of the farewells of its two leading ladies.
The Eloquence label of Australia, the down under-arm of Decca and now by extension Deutsche Grammophon, seems to specialize in the re-release of “Auld Lang Syne” treats.
C-major has made available the first DVD/Blu-ray of Franco Faccio’s Amleto.
In Andrea Chenier an unexpected Canadian star-tenor relishes beheading alongside a far less well-known Italian diva: Jon Vickers and Ilva Ligabue.
For her first CD in six years, Angela Gheorghiu has chosen Italian repertoire.
The subject of timidity has been in my thoughts in these waning days of February 2017. One would almost think there had been some big announcement recently, preceded by a series of smaller ones, to turn a U.S.-based opera fan’s thoughts in this direction.
Just 85 years ago, four of Italy’s greatest opera stars gathered at Teatro all Scala for an historic event: the first-ever recording of Arrigo Boito’s sole complete opera, Mefistofele.
“Trove Thursday” offers a Der Fliegende Holländer from New York City Opera featuring the underrated American soprano Johanna Meier.
On her 90th birthday “Trove Thursday” presents the late great Belgian mezzo Rita Gorr parenting Régine Crespin in Massenet’s Hérodiade.
The Canadian Robert Carsen would appear to love the theater to the point of fixation.
Certain operas are better in theory than practice.
The rediscovery of Franco Faccio’s Amleto, a curious score that last week, via Baltimore Concert Opera, received its first performances since 1871, reminds us just how tough an act Giuseppe Verdi was to follow.
Whenever I encounter Eric Owens, he’s plotting to conquer the universe.
East is West and West is East—the border ever less easy to fix.
With his new CD release for Decca, The Maltese Tenor, Joseph Calleja clearly declares his ascension to the top level of the world’s lyric tenors. The 15-selection program shows that his plaintive voice has matured and clarified, his emotional understanding of the music has deepened significantly, and his artistry has moved to a higher level. …
La Cieca was cced the following letter sent by a “long-time patron of NYCO” in response to “the recently received Subscription Renewal Brochure.” She has withheld the patron’s name by request.
In this new Decca DVD of Tosca we find a highly intellectual, even fascinating staging at odds with the visceral nature of the original melodrama but one that inspires its cast to great heights. Robert Carsen is a clever producer with an elegant visual palette. He employs the same directorial strategy as his famous Mefistofele…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.