Riccardo Chailly’s appointment as La Scala’s new music director was news that I greeted with enthusiasm when first announced in 2013.
The Albanian soprano Ermonela Jaho is surely the reason that Covent Garden has made a commercial release of this “Live to Cinemas” relay from March of 2017.
In the Academy of Vocal Arts’s (AVA) clever pairing of two Puccini works, there was every reason to expect the fix was in.
The whole performance reminded me of what Butterfly as I have never known it, but often herad about it, can be.
“Trove Thursday” keeps the evil deeds going this All Saints’s Day with a vintage La Scala broadcast of Arrigo Boito’s only completed opera Mefistofele.
“Trove Thursday” offers due local Lombardi: one with Renata Scotto and José Carreras, the other with Aprile Millo and Carlo Bergonzi.
As opera’s reigning tenor-superstar, Jonas Kaufmann can pretty much do whatever he wants and a sizable adoring public will lap it up.
It’s surprising to read that, as of this writing, La fanciulla del west has only had 105 performances at the Metropolitan Opera.
Puccini’s Girl closes out the 20th century and gallops into the 21st.
Celebrating its third anniversary and next week’s Met opening, “Trove Thursday” offers a sumptuous banquet of the third and final chapter of divas in the “wrong language.”
Orfeo’s latest edition is a 1978 performance of Lucia di Lammermoor with a very estimable cast that on its surface may seem a tad mundane but the extensive liner notes (with performance photos) tell the story of why it held such magic.
Heartbeat is, after all, a company that loves to tinker.
Like Julius Caesar before her, Anna Netrebko can rightly proclaim “Veni vidi vici” about her decisive Roman victory at the Metropolitan Opera where she took on her first-ever Tosca.
>Verdi’s marvelous yet neglected Luisa Miller finally returns to the Met later this month after an absence of a dozen years so “Trove Thursday” provides a preview.
“Trove Thursday” presents Falla’s La Vida Breve in a live concert version with Victoria de los Angeles, one of Spain’s greatest singers, as Salud.
While she brought many exceptionally appealing qualities to her portrayal, Ermonela Jaho’s slender soprano often struggled to cope with Puccini’s demanding music.
“Trove Thursday” offers Così fan tutte with Pilar Lorengar, Josephine Veasey, Lucia Popp, Luigi Alva and Kieth Engen with Georg Solti conducting.
“Trove Thursday” ushers in February with Catalani’s La Wally with a mountain-top cast of Renata Tebaldi, Renata Scotto, Mario del Monaco, Giangiacomo Guelfi and Giorgio Tozzi conducted by Carlo Maria Giulini.
A Met HD cinema broadcast of Puccini’s Tosca on Saturday, 27 January, concluded the first run of a production marked by upheaval in the ten months between its announcement and its New Year’s Eve premiere.
Weekends at Aura Bar on 53rd and Ninth are typically big money makers for the morons who run the place. Jonjon and Yoni.
Madama Butterfly remains fascinating because of its complexity.
I was extraordinarily happy Monday evening to encounter Angel Blue and Russell Thomas as Mimi and Rodolfo.
There is a slight chill in the air during the final minutes of La Traviata.
When you attend a performance of Georges Bizet’s Carmen you can never be quite certain which one you’re in for.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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