Povera Butterfly
A parade of young singers delight in an intimate Madama Butterfly at Amore Opera
208 pieces since 2007 — in 1 role, at 11 companies, most often at La Scala.
A parade of young singers delight in an intimate Madama Butterfly at Amore Opera
A trip to Mediterranean climes came through musically, as the Boston Symphony Orchestra presented a largely satisfying concert performance of Don Giovanni on July 16.
It’s difficult to reconcile what Schlather writes with what we see onstage, which is a jumble not only of pianos, but of periods and concepts.
In the month and a half leading to Bernard Haitink’s passing on October 21, my AirPods constantly channeled a musical festival of sorts centered on the Dutch giant’s expansive discography.
Oh, that slippery Don Giovanni—so elusive, so chaotic, so open to no end of interpretation!
The Canadian Robert Carsen would appear to love the theater to the point of fixation.
It was indeed a curious sensation making a late morning trek to East 59th Street, a block devoted to showro0ms for bizarre upscale furniture and lighting fixtures, and then to enter a boutique cinema specializing in Hindi films (the big coming attraction right now is Desi Boyz) — and all this before sitting down in […]
La Cieca is just back from the HD of Don Giovanni from La Scala: excellent singing through the whole cast, strong conducting (if tending to the slow side) by Daniel Barenboim, and a smart, chic production from Robert Carsen that frankly makes Michael Grandage look like an utter bumpkin. The presentation will repeat here in […]
Lyric Opera of Chicago’as Don Giovanni lands smack dab in the middle of our current debate about wanted or unwanted sexual advances and outright sexual abuse.
Second casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.
Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.
During its first-ever Roberto Devereux Thursday evening one felt transported back to the Volpe years: four of the Met’s biggest stars shining in an opulent (if occasionally perverse) but reassuringly non-challenging production paid for by Sybil B. Harrington.
Squirrel was expecting boobs! People, there were no boobs, and for that, I was a little disappointed.
Among the “auditions” that have come flooding in from the cher public are reviews of three very different productions of Don Giovanni. Your doyenne has taken the liberty of combining the three critiques into a single posting, but she urges you to remember, remember well the names of the authors of this troika of treatises.
Teatro Nuovo pays tribute to a historic New York production of Don Giovanni with a talented ensemble.
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