Cask in the glory
A North American debut of a respectable French Baroque ensemble, an ebullient presentation of La fille du régiment, and an afternoon soiree in Wine Country proved to be the hottest (yet affordable!) tickets around here this Summer.
Review
Thane and suffering
In the 1847 version of Macbeth, the forces of Teatro Nuovo lacked the thunderous punch this music can pack, but provided a pleasant ride
The gaul of some people
It’s Norma, darling. We know.
Norma demente
Jessica Pratt’s last-minute Norma in Milan might well be the stuff of legend
I’m never gonna dance again
A starry cast is hampered by Christof Loy‘s dour production of Rusalka in Barcelona
Sleepwalkers awake
La sonnambula at Teatro Nuovo overcomes uneven casting to highlight the many charms of Bellini’s bel canto masterpiece
Visible storage
Performances of Pittori fiamminghi and Madama Butterfly in picturesque Castell’Arquato were a fine way to honor Luigi Illica, the city’s native son
The bodies keep score
Music for New Bodies at Lincoln Center’s Running AMOC* Festival proves Matthew Aucoin really is everything he’s made out to be
Canonically ossified
When such a canonically ossified work like Verdi’s Aïda is directed at all (let alone as ambitiously as Damiano Michieletto at the Maggio Musicale Fiorentino), it does feel like a completely different opera
There’s a parade in town
Les Brigands at the Paris Opera is an expensive joke that never lands
Now and at the hour of our death
This evening of Julius Eastman at Lincoln Center was so good it hurt
Changing habits
A new production of Dialogues des Carmélites featuring Anna Caterina Antonacci proves that it’s hard to be an iconoclast in Venice.
Sing out strong
Pride weekend events at San Francisco Opera and Festival Opera are fabulous starts to the Bay Area summer
Pride before the fall
Opera Parallèle’s Harvey Milk Reimagined offers a fragmented portrait lacking the depth or coherence needed to honor Milk’s legacy
The turning point
The Comet/Poppea at this summer’s Running AMOC* festival at Lincoln Center is a thrilling, startling, deeply moving experience
Up an Octavia
The operatic offerings of Boston Early Music Festival — Keiser‘s Octavia and Telemann‘s Pimpinone and Ino — are delectable discoveries
New world charm
The Met Orchestra under Yannick Nézet-Séguin surges into summer with a mixed program at Carnegie Hall
They call me the wanderer
Kent Nagano‘s and the Richard-Wagner-Akademie‘s historically informed Ring Cycle takes on Siegfried in Dresden
Drama therapy
Carmen in Brussels is dramatically vibrant, if vocally stretched
Sea no evil
A muted production challenges a talented cast in San Francisco Opera’s Idomeneo
Charm city offensive
A starry concert Aïda in Baltimore proves unusually polished
The head on the cake plate
John Yohalem reports on Catapult Opera’s satiating San Giovanni Battista
Married to the mob
Contrasting approaches to Regie duke it out in Cavalleria rusticana & Pagliacci and Rusalka in Munich
Those in glass houses
Krzysztof Warlikowski‘s Der Rosenkavalier at the Théâtre des Champs Elysées surpasses even Nigel Wilkinson‘s high ‘WTF threshhold’
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
