Maddalena scene Maddalena scene

This solid if not stellar performance finds our diva in particularly passionate form. Maybe they should have re-titled it Maddalena?

on May 10, 2021 at 9:00 AM
Shade in the shadow Shade in the shadow

Ombra Compagna, out today on Pentatone, spotlights Lisette Oropesa  in 10 of Mozart’s most challenging concert arias accompanied by Il Pomo d’Oro conducted by Antonello Manacorda.

on May 07, 2021 at 9:00 AM
The ‘Drama’ you’ve been craving The ‘Drama’ you’ve been craving

Opera is back, baby, and it’s good to be home!

on May 06, 2021 at 3:34 PM
Shark in a tent Shark in a tent

The great Dalai Lama once said, “whenever there is a challenge, there is also an opportunity to face it, to demonstrate and develop our will and determination.”

on May 02, 2021 at 9:00 AM
Myth me blind Myth me blind

“Spring has sprung,” announces MasterVoices’ director Ted Sperling with a smile at the beginning of Part III. And indeed, even the doomsayers among us (and I count myself one) can’t help but feel signs of cautious optimism, as the world we knew slowly but noticeably begins to re-emerge.

on April 23, 2021 at 4:07 PM
We’ll always have Paris We’ll always have Paris

If you missed Amour during its Broadway premiere 19 years ago, you’re not alone.

on April 03, 2021 at 1:53 PM
I’ll have to say I love you in a song I’ll have to say I love you in a song

Starting March 19, Vocal Arts DC’s latest virtual concert lavishes listeners with a sumptuous recital of art songs from the Norwegian soprano Lise Davidsen.

on March 19, 2021 at 9:30 AM
Don’t you forget about me Don’t you forget about me

HERE’s new radio opera marks itself out by leaning into the dramatic affordances of the audio-only format in No One is Forgotten, an adaptation of a play by Winter Miller with new music by Paola Prestini and Sxip Shirey.

on March 08, 2021 at 3:00 PM
Fascinating but frustrating Fascinating but frustrating

Now, through the auspices of the Metropolitan Opera, we have Sonya Yoncheva—and if anything, the diva-dom has been kicked up a notch!

on February 27, 2021 at 4:28 PM
Gold dust Minnie Gold dust Minnie

Giacomo Puccini’s La fanciulla del West may have its detractors (Stravinsky referred to it as a “horse-opera’) but you will not find me among them.

on February 23, 2021 at 2:21 PM
Forging forward, instruments in hand Forging forward, instruments in hand

Whatever you think of Angela Gheorghiu, she epitomizes a star sound, the kind of voice that’s recognizable within three seconds, and she definitely knows her way around a performance.

on February 23, 2021 at 10:00 AM
The expansive and the ostentatious The expansive and the ostentatious

Proudly and vividly on display was Anna Netrebko’s unique and glamorous ability to wear the music like a parade of couture gowns—some more sparkly than others, some a more flattering fit, but all thoughtfully chosen and laced into with care.

on February 07, 2021 at 8:00 AM
Unashamedly dark Unashamedly dark

It was a meaty program. But both singers had the chops for it.

on January 25, 2021 at 11:00 AM
Sparkle, Lisette, sparkle! Sparkle, Lisette, sparkle!

Opera Philadelphia Channel invites viewers to revisit a 2015 production of La Traviata, captured on the Academy of Music stage, that’s notable for Lisette Oropesa’s debut as Violetta Valéry.

on January 25, 2021 at 9:00 AM
One little soldier One little soldier

Take it as a high compliment to the harrowing, riveting Soldier Songs that I was grateful it lasted only one hour. My nerves couldn’t have handled more.

on January 23, 2021 at 3:49 PM
Terracotta puppets of the gods Terracotta puppets of the gods

Dancing sheep! Flying sheep! Flying sheep who dance!

on January 20, 2021 at 1:12 PM
Learning to fly Learning to fly

Conceived by Adam Guettel as a song cycle that explores human relationships to the gods across the span of history into today, Myths and Hymns has been seen and heard in concert and staged settings, and some of the individual songs are often performed in cabaret.

on January 17, 2021 at 2:01 PM
All about my moth All about my moth

The performance of an opera, indeed, seems almost a third narrative, atop the dreamer under the scientific microscope and the larva turning into a butterfly, and the mingling is not always clear—but then, clarity never seems to be the intention.

on January 16, 2021 at 1:24 PM
The ties that bind The ties that bind

Like everyone reading this, I imagine, I’ve missed going to see and hear something in person more than I thought possible.

on January 14, 2021 at 12:00 PM
Call of the wild Call of the wild

Call Out is an ample demonstration of Zachary James’ many talents—and an inspiring example of the artistic light that can be generated even when our theaters are temporarily dark.

on January 13, 2021 at 3:28 PM
On the beach On the beach

The immediate and personal catastrophe interleaves with the general and universal and ancient.

on January 13, 2021 at 1:00 PM
Crossing over Crossing over

Without furnishings to distract them, the cast prowled the stage with sinister energy, exchanging significant looks and deadly secrets as though fearing Nihilists behind every drapery.

on January 12, 2021 at 9:13 AM
Times after times Times after times

Despite the ongoing pandemic and the political upheaval, the Prototype Festival is back, and it is bigger and more accessible than ever before.

on January 11, 2021 at 9:25 AM
You aren’t any good to me dead You aren’t any good to me dead

The Murder of Halit Yozgat by Ben Frost and Petter Ekmann is flavorsome in its use of sound, vocal and otherwise, to explore the elements of the story, to keep you tied in, and guessing.

on January 11, 2021 at 8:54 AM