Cher Public

Tears in heaven

There is a deep sense of culmination and finality when we discuss the last works of the great Masters.  Read more »

Orpheus condescending

Over the past 50 years, the countertenor voice has acquired a certain mystique. As our modern-day approximation of the castrato, its timbre has come to evoke a kind of other-worldly distance, a long-lost past recovered.  Through its role in the early music revival and the historically-informed performance movement, it has garnered associations of purity and precision – all laser-tuned straight tones and clean-cut coloratura.  Read more »


For more than 40 years, the magnificent opening image from Francis Poulenc’s Dialogues des Carmélites seen above has served as an icon for the Met—and not only to advertise this opera.  Read more »

Waiting for the sun

The New York premiere of Kopernikus, an opera by the Canadian mystic Claude Vivier, who was murdered in Paris in 1983, three years after its completion.

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Nothing’s gonna charm you

Even the hit songs in this early Jule Styne musical would recede in a better show.

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Prophète bien aimé

New Amsterdam Opera specializes in American singers whose abilities are as yet little known.

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There will be bloom

In the more than 500 years of the history of operas, rarely (if ever) has a coming of age story, particularly one from the child’s point of view, been presented as the main topic of the opera.

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Soldiering on

Britten’s penultimate opera, the anti-war ghost story Owen Wingrave, was composed for television performance in 1971.

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