On paper, the Met’s revival of L’elisir d’amore looked like a lovely evening. And at times it was—a few scenes hinted at what it could be and what it might yet become.
With no disrespect to Nadine Sierra, who as Lucia acquits herself honorably if not magically in vocal terms, the undisputed cause célèbre here is director Simon Stone.
From the multiple standing ovations, to say nothing of the gentleman in the front row waving the Mexican flag, I can safely say that a very good time was had by all.
It’s that time of year again, cher public: the 47th 15th annual announcement of the recipients of the F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence!
Sunday evening Los Angeles Opera presented tenor Javier Camarena in recital to a wildly enthusiastic audience from the stage of the Dorothy Chandler Pavilion.
The Richard Tucker Music Foundation’s annual gala promises (note, promises) a particularly glittery roster this year.
“King of the High D’s” Javier Camarena headlines an HD video performance of I puritani this afternoon live from the Compañia Nacional de Ópera in Mexico.
Javier Camarena offered a performance carefully calibrated to a more intimate venue that nonetheless offered emotionally potent results.
These days a cadre of voluble opera-goers regularly issues dire warnings that anyone about to attend this or that production at the Met should close her eyes and just listen rather than witness yet another Peter Gelb regie “atrocity.”
Some ideas are so absurd that the only way to describe them is to simply use the liner notes.
Your Own La Cieca has emerged from semi-retirement to present the 2014 Pubie Awards.
The legions of New York opera buffs who now can’t talk about anything but Javier Camarena will be happy to know that there’s now a DVD release
of their new favorite tenor in Rossini’s Le Comte Ory available.
Though at the moment we have no indication that there will be a cast change for the final three performances of La Cenerentola at tha Met, La Cieca does think the group mind should apply itself to the pressing question of exactly wbich tenor will appear in the HD telecast on May 10.
The Met stage was filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.
Javier Camerena, “as close to a rock star as the Met has produced from its male roster this season,” has big plans with the company, with at least four roles planned for future seasons.
“Javier Camarena will sing the role of Prince Ramiro in the season’s three initial performances of Rossini’s La Cenerentola on April 21, 25, and 28, replacing Juan Diego Flórez, who is ill.”
“Opera can, in fact, be something beautiful and moving even when all a performance has going for it is some really excellent singing.”
The hostile reaction to the Mary Zimmerman production of La sonnambula was well documented after the premiere in 2009.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
