The 2020 Glyndebourne Festival features the company’s first production ever of Poulenc’s Dialogues des Carmélites, in a production directed by Barrie Kosky and starring Danielle de Niese.
[via Twitter]
“Being a wife, being a mother, entertaining in the summer, doing the pheasant shoots in the winter.”
There was a certain frisson in the air entering Chicago Lyric Opera last night, and not just in anticipation of attending the world premiere of a new work by Jimmy Lopez (music) and Nilo Cruz (libretto), Bel Canto.
Here Danielle de Niese throws an ecdysiastical twist into a medley from The Sound of Music.
Christopher Alden‘s production of Handel’s Partenope is so erudite and theatrically audacious and also such a rollicking ride, it’s hard to believe it isn’t crap.
It appears that Mariame Clément’s conception of Don Pasquale is that the opera should be retitled Malatesta.
Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.
The leading lady of the Bayerische Staatsoper’s production of La Calisto has taken to the Twitters to respond to the recent discussion of her comments about Miley Cyrus.
Alluring soprano star Danielle de Niese, wife of Glyndebourne Opera boss Gus Christie, had that sinking feeling when she arrived for a performance at the Arts Club in Mayfair—and discovered her glamorous gowns were missing!
How’s about a little light summer chat Tuesday afternoon starting at 2:15 EDT, when parterre fave Danielle de Niese headlines Don Pasquale, webcast live from the Glyndebourne Festival?
Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”
“Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
“I will be on #Broadway again!”
Your feelings about the new Opus Arte DVD of Handel’s Acis and Galatea will have a lot to do with your tolerance for gentle whimsy. As a cultural consumer who tends to gravitate toward the more high-octane, Italianate drama of a Verdi overture or a Real Housewives of New Jersey hair-pull, I do my best…
“What people don’t know, what people who spend time sort of, like, gossiping about a role might not know, is that, I mean, once you get onto the audition stage, you are just like everybody else; it’s what you do vocally and what you do as an artist that gets you the job or not.……
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