Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.” (The kicker on the story goes like this: “Ms. De Niese, Mr. Gelb added, will again be available, just in case.”) So: does it begin to look to you, cher public, like this Giulio Cesare production may resemble in some ways a ride on the montagnes russes? Should Danielle de Niese just go ahead and sublet a flat at The Bel Canto? It’s up to you, parterrians, to turn your crowdsourcing skills to the task of predicting the possibly messy course of the next few weeks.
Photo: Brigitte Lacombe/Metropolitan Opera