Bess is clearly Angel Blue’s part—set in the richest and most shimmering upper middle portion of her voice, and optimally suited to her persona.
Opera’s latest superstar, Angel Blue, in a compleat and enthralling portrayal, gloriously sung and rivetingly acted.
“What happens when that music no longer comes easily, or when the public’s attention shifts elsewhere?”
Ardent Angel Blue will jump into performances vacated by the collapsible Sonya Yoncheva at La Scala.
New York has neon, Berlin has bars, but, ah! Parigi!
At the center of the Met’s revival of Puccini’s La bohème, one found the rich and layered talent of Angel Blue.
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