San Francisco Opera hosts an exuberant tribute to queerness past and present.
An invigorating double bill at the San Francisco Symphony challenges how Bach “should” be performed.
Under the baton of Nicholas McGegan, Philharmonia Baroque Orchestra & Chorale proves they have a magic touch in a program of Rameau and Handel.
In an all-Mozart program with the San Francisco Symphony, Golda Schultz shows that her soubrette days are behind her.
Esa-Pekka Salonen and The Los Angeles Philharmonic serve a feast for all five senses.
James Gaffigan, the incoming Music Director of Houston Grand Opera, strikes a balance between New World precision and Old World flair in repertoire, staging, and wine
Michael Anthonio crunches the numbers on San Francisco Opera’s recent seasons and goes straight to the top to General Director Matthew Shilvock for a look at where SF Opera has been and where it’s headed
“The distance between dreams and reality is called action.” – Brian Tracy
Bay Area audiences starved for vocal fare during its opera’s winter/spring hiatus recently experienced two exceptional concerts with distinguished singing at the Davies Symphony Hall.
June is long gone. It was truly a month of excellence and exuberance here in San Francisco, coupled with cozy and inviting weather, as if to make up for the extended winter.
Despite the ever-increasing media coverage of San Francisco’s “doom loop,” June 2023 will be forever remembered as the time where San Francisco was the opera capital of the United States.
The July-August timeframe in the San Francisco Bay Area is always exciting time in terms of opera.
Trove Thursday sends best wishes to Michael Tilson Thomas, currently recovering from a recent surgery to remove a brain tumor, and presents him in a broadcast leading the UK premiere of Rimsky-Korsakov’s Mlada with Makvala Kasrashvili, Felicity Palmer, Jon Frederic West and Sergei Leiferkus.
Starring Jamie Barton, Orfeo ed Euridice returns to the Met next month for the first time in more than a decade so “Trove Thursday” offers two complete live versions of Gluck’s masterwork.
Once again we got a very frustrating performance of Orlando; this time a beautiful and completely coherent production marred by some sub-optimal singing.
Carnegie Hall’s season opener last night fetched the usual glitterati.
San Francisco Opera opened their 2018-19 Season Friday with a double bill of Italian verismo operas, Cavalleria rusticana and Pagliacci, which made a welcome return to War Memorial Opera House after 15 years.
“Trove Thursday” presents Janet Baker in Mahler’s Das Lied von der Erde from 1970 partnered by Jess Thomas and conducted by Josef Krips.
I fall on my knees before this new live recording
issued by the San Francisco Symphony.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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