The miracle workers at Boston Modern Orchestra Project and Odyssey Opera have published another premiere recording of a work that I’ve long heard of but never heard: Dominick Argento’s The Voyage of Edgar Allan Poe.
In 1982 I saw Turandot at the San Francisco Opera, the year after I became an opera fan, and it was my first live opera.
This week Chris’s Cache features Maria Chiara, Elena Mauti-Nunziata, Rita Orlandi-Malaspina and Orianna Santunione in L’Amico Fritz, Mefistofele, Simon Boccanegra and La Fanciulla del West, respectively.
The wicked poisoner showed herself in fine form, full of purple passion and lusty music-making that would gladden the heart of any bel canto enthusiast or opera lover in general.
Frankly I thought Sondra Radvanovsky had reached her pinnacle with her Norma but I was apparently mistaken. I’m happy to say her Turandot is completely next-level.
To celebrate Valerie Masterson‘s turning 85 tomorrow, Trove Thursday offers a second annual birthday salute to the English soprano.
Sondra Radvanovsky is very special here!
Teresa Zylis-Gara died in late August at 91 and Trove Thursday offers the Polish soprano in a wide-ranging collection of live material showcasing her great versatility.
I never fathomed I’d be writing words as these this soon.
For those pining for Puccini with the Met out of commission. Trove Thursday steps up with the composer’s brief first opera Le Villi with Krassimira Stoyanova, José Cura and Franz Grundheber, led by Simone Young.
During the 70s, Kiri Te Kanawa, particularly singing Mozart, became one of my favorite singers.
Trove Thursday marks Mozart’s 264th birthday on Sunday with the 14-year-old’s remarkable opera seria Mitridate, Re di Ponto .
“Trove Thursday” presents Purcell’s remarkably concise Dido and Aeneas in a pair of fascinatingly different interpretations.
Since 1985, from the Chicago Symphony at Carnegie Hall to the Welsh National Opera visiting BAM and from Chicago Lyric to New York City Opera to the Met, I’ve never encountered a bad Falstaff—or one that didn’t astound and delight me.
“Trove Thursday” celebrates the thrilling Finnish soprano Karita Matilla in the ultimate diva role.
I entered the Dorothy Chandler Pavilion on Saturday night for LA Opera’s 30 year old revival of their production of Salome with a combination of enthusiasm and apprehension.
Like our beloved Cubs, Chicago Lyric Opera is in the midst of a championship season.
Donizetti’s bel canto masterpiece Lucia di Lammermoor returned to Chicago Lyric Opera on Saturday evening.
“Trove Thursday” presents Sena Jurinac‘s radiant portrayal of Janacek’s Jenufa opposite the implacable Kostelnicka of Martha Mödl.
There was a certain frisson in the air entering Chicago Lyric Opera last night, and not just in anticipation of attending the world premiere of a new work by Jimmy Lopez (music) and Nilo Cruz (libretto), Bel Canto.
Absent from Chicago Lyric Opera’s repertory for 21 years, Alban Berg’s Wozzeck came roaring into town on Sunday afternoon in a stunning new production by Sir David McVicar.
My first experience with John Corigliano’s music was in high school with the ear and mind blowing score he wrote for Ken Russell’s film Altered States.
Having heard a bit of the opening night broadcast and read some decidedly mixed reviews, I was totally unprepared for the remarkable performance of Donizetti’s Anna Bolena that I attended on December 15 at Chicago Lyric Opera.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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