Les Arts Florissants (lightly) stages two Charpentier rarities as a summer wedding gone wrong.
I can’t say 2025 was my best operagoing year; apart from a superb Fille du régiment, most of my good nights at the opera were decidedly mixed affairs.
Les Arts Florissants present two ravishing programs in Brooklyn and Manhattan.
A double bill of rare Bizet works in Paris is not something any of us needs to do more than once
Sofia Coppola‘s cult classic Marie Antoinette is best known for blending a whimsically baroque visuals with a post-punk score.
When the birthdays start to pile up in the double digits in big round numbers, you start to examine your past and review what you have done with your life.
Nigel Wilkinson reports on Teodor Curentzis and Peter Sellars‘s new production of Rameau‘s Castor et Pollux in Paris.
William Christie curates an evening of French Baroque music in a live broadcast from Carnegie Hall.
What can you say, other than that everything was fab?
Nigel Wilkinson reviews Kris Defoort‘s kaleidoscopic, unsettling new opera in Brussels.
Marc-Antoine Charpentier and Thomas Corneille’s Médée is a monument of the 17th century French baroque lyric tragedy.
Two short theatrical works and one sacred piece from the beguiling oeuvre of the guy who didn’t write Louise
Two of France’s leading Early Music ensembles recently visited New York City to perform music by some of the 17th century’s leading composers.
This showcase concert gave notice that countertenor Hugh Cutting is among the most promising artists of his generation.
If April is the cruelest month, it may be that spring’s arrival brings far too many things to do and see.
Beverly Sills and Renée Fleming perform 30 years apart the same work with the same orchestra in the same venue!
For those who complain (not entirely unfairly) that Handel operas are “just a string of da capo arias,” I sometimes mutter to myself, “Have they ever tried Rameau?”
Jordi Savall and William Christie, 80 and 77 respectively, stand as the two senior masters whose recordings and appearances have done the most over the past decades to build a healthy local enthusiasm for pre-Classical music.
Next Wednesday is the composer’s 337th birthday, so Trove Thursday previews this spring’s most enticing Handel performance with two very different live versions of his delightful Serse,.
In the last weeks of January, as the Metropolitan Opera season wound to a close (prior to the winter hiatus) two striking sopranos were thrust into the limelight.
Now, through the auspices of the Metropolitan Opera, we have Sonya Yoncheva—and if anything, the diva-dom has been kicked up a notch!
Dancing sheep! Flying sheep! Flying sheep who dance!
By an astounding coincidence, on Monday night Handel’s third and fourth extant operas were being performed simultaneously across the street from each other at Lincoln Center.
“Trove Thursday” offers Offenbach’s irreverent La Belle Hélène featuring the beauteous Véronique Gens.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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