Basque in the glory
For the opening night of Il Trovatore, Houston Grand Opera’s new production aimed high, bringing together a star-studded cast and a fresh, contemporary take on Verdi’s intense drama.
Stephen Wadsworth
22 pieces since 2011 — at 5 companies, most often at Metropolitan Opera.
22
pieces
5
companies
16
years
Tito’s, neat
This Clemenza seemed more or less unconcerned with the opera’s political imagination, content to take Tito at his word that his rule is morally enlightened and the citizens at theirs that a benevolent dictatorship is a wonderful thing indeed.
Perché chiuso?
On this day in 1975 soprano Magda Olivero made her historic, belated Metropolitan Opera debut as Tosca
Mainly in the plain
I wonder why many New Yorkers have been led to believe that the only Handel conductor in the world is Harry Bicket.
A crazier day
Saturday’s performance of Le nozze di Figaro at the Met mined the humor from Mozart’s divine setting of Beaumarchais’s play about a crazy day in the Almaviva household.
Seria effect
While it must be admitted that Elza van den Heever doesn’t have an ideally warm and agile Handel voice, she evidenced fierce control over her instrument and skillfully built a powerful portrait of the courageous Rodelida fighting for her survival.
A place in the shade
Next Wednesday is the composer’s 337th birthday, so Trove Thursday previews this spring’s most enticing Handel performance with two very different live versions of his delightful Serse,.
A wig and a prayer
A snarky commentator might dub last night at the Met “Boris of the divo hair flip” but that would do a disservice to a serious, often effective performance of the challenging original version of Mussorgsky’s masterpiece.
Tauride zone
This week Trove Thursday presents Gluck’s Iphigénie en Tauride in three stirring broadcasts starring Rita Gorr, Gré Brouwenstijn and Sena Jurinac
Love, loss, and what I sang
Sunday is Handel’s 335th birthday, an event Trove Thursday celebrates with Rodelinda, Regina de’Longobardi, one of the composer’s most popular works.
Drag me to hell
My first-ever Met Sunday opera brought the welcome return of Gluck’s sublime Orfeo ed Euridice in an enchanting afternoon that combined elegant conducting, joyous dancing and Jamie Barton’s extraordinary hero.
An old-fashioned wedding
“Trove Thursday” presents a complete Prodanà Nevesta (aka Die Verkaufte Braut, of course) by Smetana plus extended excerpts from a broadcast of Spontini’s La Vestale in its rarely heard original French version.
Tragically Hippolyte
I had my head in my hands groaning in disbelief instead of joining in the general applause around me.
True Romans
On Saturday Juilliard 415 welcomed the sterling 10-member Belgian group Vox Luminis for a striking program of “Handel in Rome.”
Blackberry winner
Washingtonians enjoyed a happy reunion this past Sunday with David Daniels.
She who gets slapped
All those who have been in a rage since the news broke this week that the Metropolitan Opera has invited Calixto Bieito to stage Verdi’s La Forza del Destino can relax and embrace the Juilliard Opera’s new Le Nozze di Figaro which opened Friday night.
Walvater knows best
There is a mighty appetite among both old Wagnerians and new ones to see a Ring that follows—if not too slavishly—the scenic requests of the libretto.
Bark, not Bayreuth
Is Der Ring des Nibelungen responsible for the transformation of Seattle from a gray, damp, low-rise Boeing company town where half the jokes had punchlines in Norwegian (and were about lutefisk in any case) into today's booming cultural metropolis? I like to think so.
Desert fox
Karol Szymanowski’s 1926 King Roger was the sleeper hit of SFO’s season, not so much for its weird, mystical theme and feeble libretto but because the music is powerfully effective.
Enfin, elle est en notre présence
Almost exactly one hundred years ago on March 18, 1912, the Metropolitan Opera gave its final performance to date of Armide.
Rodelinda, regina del primo piano
I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s […]
The recursion of kitsch
Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a […]
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
