The singularity of Stephen Sondheim contributes to the conception of him as a camp figure.
Curtis Opera ventured Sweeney Todd.
I was floored to find that Company with a female protagonist, at least in Marianne Elliott’s West End production, is a better and more complete show than original recipe Company.
The theme was “Lyrics by Shakespeare.”
Sunny, lakeside Cooperstown presents a peppy, exuberant, winning production of West Side Story, the musical.
Celebrating Lenny’s 100th this year has made Candide ubiquitous at opera houses worldwide.
Sir David McVicar’s inept and dreary new production of Bellini’s Norma proved to be more satisfying than it had been on opening night when it returned to the Met Friday evening thanks to its new leading ladies Angela Meade and Jamie Barton
How on Earth will these fictitious luminaries of turn-of-the-century Swedish society keep their clothes clean?
Due to a small hiccup in scheduling at Casa della Cieca, this week you get two uploads!
“Good God—an adult musical!”
Fosca, finalmente mia!
Forty-five years ago today, Stephen Sondheim’s brilliant, frustrating Follies played its first Broadway preview at the Winter Garden Theatre.
“Operatic” generally refers to sung drama, but there is another meaning of that term: grandiose, outsize, hysterical.
If I’d gotten an hour less sleep you’d now find me mixing everything up and writing about Mrs. Lovett making her entrance on a bronze horse like Peter the Great.
“Michael Volle is not into bling,” begins an article in ACT-O, the glossy magazine of the Grand Théâtre de Genève.
I fall on my knees before this new live recording issued by the San Francisco Symphony.
The merits of Candide—Leonard Bernstein‘s musically glimmering yet dramatically awkward comic operetta based on Voltaire’s novella – are on ravishing display at the Menier Chocolate Factory.
The stunning New Broadway Cast Recording of Sondheim’s Follies is currently on sale on Amazon for an astonishing $4.99.
Packaged with a peek-a-boo cover exposing only Bryn Terfel’s lovely left eye (the effect of turning the page to reveal the Welsh bass-baritone’s head in its entirety brings to mind this Encyclopedia Dramatica entry) and an oddly hip-hop-flavored gray-on-black treatment of the album’s title, Terfel’s Bad Boys seems designed for those who like their divos…
A Little Night Music at the Walter Kerr last night left me longing for a little more than we were given. Yes, there are some wonderful things about this revival of Stephen Sondheim’s most unabashedly romantic musical – and I’ll get to those in a minute – but the sets and costumes by David Farley…
Legendary “Queen of Exotica” Yma Sumac has died at the age of 86. Among many credits in a career spanning more than half a century was a screen appearance as (obviously) a Peruvian priestess in the 1954 film Secret of the Incas.
Good times and bum times — She saw them all, but my dear,She’s no longer here.The actress everyone is eulogizing as the “definitive Lily Munster” had another, in La Cieca’s opinion far more important credit. In 1971 Yvonne de Carlo created the role of Carlotta Campion in Follies, and introduced the showbiz anthem “I’m Still…
“Be a first rate version of yourself, not a second rate version of someone else.” That’s the advice Judy Garland gave Liza Minnelli, and I think we can all agree that dear Liza took those words to heart with great success. At the moment, though, La Cieca is wondering how Judy would feel about a…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy. Do Not Sell or Share My Personal Information.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.