Nostalgia for places one has never seen
“Trove Thursday” turns to Jacopo Foroni’s rare 1849 historical melodrama Cristina, Regina di Svezia to commemorate the 330th anniversary tomorrow of that enigmatic monarch’s death.
17 pieces since 2016 — in 14 roles, at 7 companies, most often at Metropolitan Opera.
“Trove Thursday” turns to Jacopo Foroni’s rare 1849 historical melodrama Cristina, Regina di Svezia to commemorate the 330th anniversary tomorrow of that enigmatic monarch’s death.
While you may need to bring along your Dramamine, the Met’s new production of La forza del destino, does—eventually—spin fast enough to achieve escape velocity.
La forza del destino concluded its run at the Metropolitan Opera with a significant cast change.
Are today’s stars enough to sustain Andrea Chénier?
Il trovatore may be famous for its melodramatic plot and unlikely mistaken identities, but surely even Verdi and Cammarano couldn’t have imagined the chaos of a performance featuring two Manricos and two Leonoras.
Rare is the revival of Il trovatore that boasts five first-rate singers, and such an occasion should be treasured. And so, at the Met last Saturday, it was.
La Traviata offered a cast of fresh debutantes and an uncommonly strong musical performance that could hardly be bettered.
Out of sheer morbid curiosity last evening I pulled up the “orders” page of my Amazon account and searched Otello to discover that over the past 11 years. I’ve ordered 15 items with that title (one as recently as last night!)
I was reminded at the Met’s season premiere of Eugene Onegin Friday night always to expect the unexpected.
Is there any opera that can take more of a beating while still making an impact than Eugene Onegin?
The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters
Lyric Opera of Chicago has opened its new season with a revival of its tried and true 2006 production of Verdi’s sixteenth opera, Rigoletto, one of his most tuneful and dramatic works (I attended the Sunday matinée performance).
Chris’s Cache features a pair of performances of Iolanta with Tamara Milashkina and Asmik Grigorian
Lyric Opera of Chicago’s Don Carlos was a real feast of good singing and orchestral grandeur.
The UK’s first-ever production of Poliuto, now available from Opus Arte on DVD, set the lions of Rome among the lambs of Glyndebourne.
Yusif Eyvazov dominated Friday’s Met premiere of Pikovaya Dama with a fearless, world-class portrayal that instantly transformed the opera into December’s must-see event.
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