Nature boy
With Siegfried, the directorial vision of the Paris Opera‘s Ring cycle finally takes root.
24 pieces since 2011 — in 18 roles, at 6 companies, most often at San Francisco Opera.
With Siegfried, the directorial vision of the Paris Opera‘s Ring cycle finally takes root.
Nigel Wilkinson takes on the first installment of the Paris Opera’s new Calixto Bieito-directed Ring Cycle
A new production of Parsifal at San Francisco Opera stirred something deep inside Michael Anthonio about how music soothes the soul
Festival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
As I mentioned in a previous post, one of my two favorite operas is Les Troyens,
It is easy to become overly identified with opera—as a cleverer friend of mine once noted: being a sports fan is an interest, but if you like opera, everyone thinks of it as a crippling obsession.
For the fourth annual edition of “Handel for my birthday” Trove Thursday serves up three heaping portions of “old-fashioned oratorio.”
Well that’s a terrible place to start a review, and it’s not quite fair to SFO’s Lucia di Lammermoor, but…
The current Met revival of Der Rosenkavalier, while not perfect, has much to feel joyful and excited about.
As Brünnhilde invokes the gods of an empty Valhalla for one last time and strides confidently into a wall of flame, we pause for a moment, unsure of what will follow.
Here’s an update for those keeping up with the Lohengrin casting sweepstakes at the Met.
I can’t imagine anything more anxiety-inducing than being put in at last-minute to sing a role in a high-profile production at the Met.
It seems that François Girard has been watching a little too much Star Wars lately. His new production of Lohengrin, which opened at the Metropolitan Opera Sunday afternoon, reduced Wagner’s opera to a knockoff space opera, full of hackneyed sci-fi tropes and B-rated futurist apologue.
Yannick Nézet-Séguin leads the Philadelphia Orchestra, Stuart Skelton, and Nina Stemme in a Tristan und Isolde for the ages
Beautiful singing, thoughtful staging, lovely melodies… a perfect escape from daily life.
That Placido Domingo and James Levine, the Met’s inexorable septuagenarians, would team up yet again—on April Fools’ Day, no less—for a revival of Verdi’s Simon Boccanegra occasioned an uncomfortable degree of doubt and dread.
Although Walter Braunfels was among those German composers whose music was banned in their home country after 1933, and whose political rehabilitiation in 1945 was not accompanied by a commensurate revival of his music, his 1920 opera Die Vögel should need no special pleading on musical or dramatic grounds. Though Braunfels is traditionally described as […]
Edgar Allan Poe’s The Fall of the House of Usher is heavy on macabre atmosphere and light on action.
Die Meistersinger is a bold stroke of programming, in a not particularly exciting way.
If I’d gotten an hour less sleep you’d now find me mixing everything up and writing about Mrs. Lovett making her entrance on a bronze horse like Peter the Great.
All in all, this was truly a superb achievement for San Francisco Opera and an auspicious first chapter in the Wagner opera journey with Eun Sun Kim.
Tamara Wilson and Stanislas de Barbeyrac are the standouts in Calixto Bieito’s underwhelming Die Walküre in Paris
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