Recent Stories
EMI Classics will release Fifty Shades of Grey – The Classical Album…
Has it been a year already? Apparently so.
We approach, beloveds, as unto a shrine, for these are no ordinary performances.
“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit…”
Live webcast from Salzburg, right now: the 1912 Ariadne/Le bourgeois gentilhomme.
Chatter away, cher public, for here is your foyer for off-topic and general interest discussion during the week of August 5.
With the country mired in a recession and the Met carrying a heavy load of debt, what better publicity can there be than a sycophantic profile in the Wall Street Journal featuring Peter Gelb snarfing up an $800 bottle of “explosively rich” wine?
Attention K-Mart shoppers!
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Grand Tier Grab Bag
My 600 performance life
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Grand Tier Grab Bag
Life imitates art
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
In what surely counts as the most startling sleeper story of the week in opera, soprano Patricia Racette has been canonized a saint in the Russian Orthodox Church.
For whatever reason (Lack of James Levine? Incompetence of Robert LePage? The economy? Wagner overload?), next season’s Ring cycle at the Met doesn’t seem to be selling.
Soprano, television personality and fundraiser Marguerite Piazza died yesterday.
The Robert Lepage production of the Ring cycle will be shown complete (including the now de rigueur fifth part of the pentalogy, Wagner’s Dream) September 11-14 on PBS
“I have learned by the perfectest report they have more in them than mortal knowledge.”
Verdi’s only successful comic opera, Falstaff, is notably hard to produce.
Puccini’s evening of one-act operas Il Trittico seems to be riding a wave of popularity over the last few years, with a new production at the Met and several high-profile productions in America and Europe.
Sometimes an obscure opera is revived, and everyone hails a lost masterpiece.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Darby Fegan
A favorite Verdi performance from Darby Fegan
Anna Tomowa-Sintow, “Ernani Involami,” from the MET Centenial Gala, 1983.
Anna Tomowa-Sintow, “Ernani Involami,” from the MET Centenial Gala, 1983.
The Talk of the Town
A favorite Verdi performance from CKurwenal
A favorite Verdi performance from CKurwenal
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
The Talk of the Town
A favorite Verdi performance from La Grunowa
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
The Talk of the Town
A favorite Verdi performance from Ryan Ellerman
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
The Talk of the Town
A favorite Verdi performance from Marina Rebeka
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Which Met diva will sing two numbers “down a minor second” in her performances during the 2012-13 season?
You may recall a couple of weeks ago La Cieca spoke to Giuseppe Filianoti about the “lost” aria from Cilea’s L’arlesiana he had reconstructed to include in a concert performance of the opera.
As Leon Botstein has never said, “I digress.” La Cieca invites you too, cher public, to digress here in your weekly intermission feature.
Apparently, we learn very little in life; the follies we pursue with haste in youth are answered by the follies we commit in age with great deliberation.
The chicken or the egg?
Alexandra Deshorties will perform the key role of Juliana Bordereau in the Dallas Opera’s 25th anniversary production of Dominick Argento’s The Aspern Papers.
Scoring the Fire and Music contest was tricky, cher public, as the selections were both quite brief and relatively obscure.
Zachary Woolfe (not pictured) makes his way to Bayreuth to try to unravel the Evgeny Nikitin mystery.
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