Canard dynasty Canard dynasty

“Say! What about throwing your very own baby in the fire by accident? There’s one for you. Doesn’t get much more implausible than that!”

Spasimi d’amore Spasimi d’amore

In belated recognition of the 70th birthday of Eva Marton (she celebrated that milestone on June 18) La Cieca offers a particularly fiery performance of Tosca from Manila in 1979.

Pardon the expression, but this is a steal Pardon the expression, but this is a steal

The complete recording of Der Ring des Nibelungen conducted by Christian Thielemann at the Bayreuth Festival is now on sale for only $5.99. And, no, I am not making this up.

Love in bloom Love in bloom

Everything about Aleksandra Kurzak’s new disc is a variation on the term “fioritura.”

Lost and found Lost and found

One of the most familiar of all operas in an unfamiliar guise: the original (1853) score of La traviata, heard here in a 2001 performance at the Verdi Festival di Busseto.

One for the vault One for the vault

Of all of Verdi’s operas. Aida is the one I find least interesting dramatically.

La vita e Club Inferno La vita e Club Inferno

What, you might ask, could a middle-of-the-road middlebrow stage director add to this monumental chef-d’oeuvre?

Hysterical blindness Hysterical blindness

Before we Yanks all go our merry ways for the July 4 holiday, here’s a quick reminder of this summer’s must-see.

17 Across: Flamboyant Romanian countertenor (5 letters) 17 Across: Flamboyant Romanian countertenor (5 letters)

“Gheorghiu has admitted a romance with Cézar, a flamboyant Romanian counter-tenor…”

Mardi gras Mardi gras

More virtual opera for those poor souls starved of the real thing: Rossini’s Ermione starring Anna Caterina Antonacci!

Run of the “Miller” Run of the “Miller”

The Tutto Verdi series from the Teatro Regio Parma may be said to relate to the great Giuseppe Verdi’s oeuvre as the burning of the library at Alexandria did to classical literature.

The modern French school The modern French school

“But Thais is a French opera.”

While you waste these precious hours While you waste these precious hours

It has come to La Cieca’s attention that the New York Opera Calendar is sadly devoid of content until Saturday of this week.

We’ll be right back after this We’ll be right back after this

La Cieca, appearing live on tape, extends her thanks to parterre’s advertisers for the month of July.

Queen for a day Queen for a day

As soon as you are finished celebrating the gay pride of yourself and/or others, cher public, feel free to comment here on matters off-topic and general.

O brother, wired art thou? O brother, wired art thou?

Shocker of the century! The New York Times reveals that Met singers are miked!

Lèse majesté Lèse majesté

Dame Gwyneth Jones is fighting an attempt to oust her as president of the Wagner Society, a position she has held for 23 years.

Statue of limitations Statue of limitations

Our weekly canard concerns that greatest of all operas, Don Giovanni—or is it?

Semi tough Semi tough

Here’s Jonas Kaufmann last night in Munich, singing Manrico’s scena from Trovatore

She sang a mouthful She sang a mouthful

Soprano Elizabeth Blancke-Biggs sings the final scene from Salome in the Stefan Herheim production for Den Norske Opera.

Between the conception and the creation between the emotion and the response Between the conception and the creation between the emotion and the response

So finally we can see what the Robert Lepage Ring would have looked like if only the Machine hadn’t been totally fucked.

The world on a string: talking to Jamie Barton The world on a string: talking to Jamie Barton

American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition.

Springtime for Wagner Springtime for Wagner

Could Marek Janowski do for Wagner what the early music movement did for the Baroque and Classical repertory?

The new world The new world

Name a Verdi opera, based on a play by Voltaire, described in the immortal words of the composer as “Questo e proprio brutto.”