Troy for ever reaps a dire delight
Our Own Jungfer Marianne Leitmetzerin has concocted something to keep you warm on those long winter nights: a complete performance of Les Troyens from 1974!
Our Own Jungfer Marianne Leitmetzerin has concocted something to keep you warm on those long winter nights: a complete performance of Les Troyens from 1974!
“La parole humaine est comme un chaudron fêlé où nous battons des mélodies à faire danser les ours, quand on voudrait attendrir les étoiles.”
A snowy day in MYC offers a perfect excuse to stay home, cozy and warm, and enjoy the hospitality of La Casa della Cieca during this afternoon’s broadcast of Falstaff starting at 1:00 PM.
Daniela Sindram will sing the role of Octavian and Rúni Brattaberg will sing the role of Baron Ochs in this evening’s performance of Strauss’s Der Rosenkavalier.
“Is Parsifal, then, a religious artwork, or is it a work ‘about’ religion?”
In honor of Giacomo Meyerbeer, the unjustly or (depending on how you look at it) justly neglected 19th century opera composer, a selection from Mike Richter‘s “Meyerbeer Operas” CD-ROM.
How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return?
Also unimpressed was Franco Zeffirelli…
In Vintage Issue #32: How that opening night of Lohengrin might have gone; La Cieca on La Gran Scena…
“I am Fabio Luisi – a professional musician and conductor in international concert halls and opera houses, involved in many aspects of music and art. For many years I have also had a secret passion for another art which I have studied and practiced to bring to you today: perfumery.” [FL Parfums]
“Miss Mary Garden, the prima donna, has some definite ideas about American customs laws which would make her an ardent tariff reformer if she were in politics.”
Just in time for the holidays, La Cieca has flung open the doors of her Shoppe of Holiday Delights!
So we may all be on the same page as we discuss, following the jump is the video of the December 7 Traviata from La Scala.
Our Very Own Marianne Leitmetzerin (pictured) has graciously shared a jewel from her vast coffer of recorded performances, a boon La Cieca hopes will become a regular Monday event here at parterre.
Our dear friends at Operavore (to whence Our Own JJ will be returning for another season early in 2014) have called for nominations for favorite operatic “party records.”
During what German audiences at Eugene Onegin like to call a “Briefpause,” the cher public (pictured) are invited to discuss, oh, this, that and the other thing.
“After attending the dress rehearsal in London I wrote the following to Mr Carsen to give him the opportunity to make changes.”
Falstaff, Verdi’s final opera, is exuberantly inventive, bubbling and roiling with ideas the 79-year-old composer was too impatient to develop.
Which resurgent maestro’s instructions to the musical staff have rung out clear as a bell: “Can’t stand those operas you’ve programmed in my absence, so get them off the future schedule?”
It’s the opening of the Met’s Saturday afternoon broadcast season, cher public, and the first opera in the series is Rigoletto.
Finnish bass-baritone Tom Krause died Thursday. He was 79.
Our Own JJ takes on an old frame (Der Rosenkavalier) and a new (Eugene Onegin) in his latest review for the New York Observer.
Our weekly find from the Mike Richter collection: Le nozze di Figaro from the Bayerische Staatsoper with a geniunely A-list cast.
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