Recent Stories
ollowing La Cieca’s meager example above, the cher public are encouraged to devise images of album covers based on Renée Fleming’s Guilty Pleasures CD.
It’s almost curtain time, cher public, so get started on your discussion of off-topic and general interest subjects.
It’s just a teensy bit late for Verdi’s birthday, but La Cieca thinks you’ll enjoy the latest vocal ID challenge, cher public.
The curious things about accepted wisdom is that sometimes it’s correct.
The Jesi foundation continues its tireless quest of making Pergolesi operas available on video.
Which honcho in the Met’s administration is retiring this spring, leaving a major gap in the chain of command?
“Modern opera studiously avoids anything so old-fashioned as melody or emotion, which seems to me a contradiction of what music is all about.”
“Opera America, a service organization for opera companies, has expressed interest in purchasing City Opera’s thrift shop…”
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Prominent local “billionaire scam artist” Alberto Vilar has asked for an extension on his court-imposed curfew so he may attend the Met’s Eugene Onegin and “socialize” afterward with the performers.
Queer Nation claims responsibility for tonight’s political action in Carnegie Hall, chanting “[Valery] Gergiev, Your Silence is Killing Russian Gays!”
“The gloves are off, the chips are down; my patience has run out.”
Emma Thompson will portray Mrs. Lovett in the New York Philharmonic’s staged production of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street.
On the occasion of the 200th anniversary of the birth of the Swan of Busseto, La Cieca invites the cher public to share reminiscences of great Verdi performances—and YouTube clips, of course!
“Russian soprano Marina Poplavskaya has fallen ill and unfortunately has had to withdraw from singing the role of Hélène in Les Vêpres siciliennes in the final rehearsals and the first three performances in October.”
Talk of the Town
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
The celebrated opera director and filmmaker died today of lung cancer in Paris. He was 68.
“The La clemenza di Tito contract will be offered as a ‘Solo Dancer’ contract and requires 8 physically fit men…. The David McVicar production…”
Ça va sans dire, cher public.
This DVD of a Diana Damrau recital (accompanied only by the harpist Xavier de Maistre) is sure to please her legions of fans.
When Mr. Steel asked Mr. Koch if he could make further gifts to save the company, Mr. Koch demurred, telling Mr. Steel that the Marshall family might be less than pleased.
Say what you will about Naxos, but this company has created a sizeable number of recordings of works on the periphery of the standard repertory and have managed to document quite a few interesting singers in the bargain-and at bargain prices.
“The title character in Barber’s Gothic melodrama Vanessa, a self-deluded, manipulative older woman, ‘keeps coming up,’ Ms. Voigt said.”
This week’s canard is inspired by recent sad news here in New York, and it goes something like this…
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