Norman Lebrecht, who is now actively trying (and failing) to destroy classical music—and why not: look how cruelly the industry has treated him!—has published a “review” from a “critic” who walked out of a three-act opera after the first act.
The webcast of Charles Wuorinen‘s Brokeback Mountain starting this afternoon at 2:00 PM is also the occasion for a chat over at La Casa della Cieca.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Starring at 6:55 this evening, cher public, the offical parterre chat on the Met’s broadcast of Prince Igor begins at La Casa della Cieca.
“Songs and arias by Wagner, Delibes, Cantaloube and a show stopping rendition of Danny Boy.”
Treat yourself to the beauty and pageantry that is grand opera at the Metropolitan Opera.
A summer performance of a wintry treat is this week’s bonbon from the Mike Richter collection, this time from his Opera from Munich CD-ROM, AE204.
In Issue #40 of parterre box, the queer opera zine, Our Own JJ nabs lengthy interviews with critic John Ardoin and tenor Richard Leech.
First video snippets of the new Prince Igor are now live on the Met’s website.
One has “made it” when one is gently lampooned by that edgiest of all late-night funnymen, Jay Leno.
AGMA’s Alan Gordon warns his membership of a possible lockout by the Met if contract negotiations break down this summer.
“The gowns took weeks to make, therefore you will realize how difficult it would be to make a fixed price for gowns created by Lady Duff-Gordon.”
Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.
Our Own Jungfer Marianne Leitmetzerin returns with a treat from the Teatro Colon: a live performance of Manon Lescaut starring Monterrat Caballé and Richard Tucker!
Don’t be in such a hurry, cher public: linger a while to discuss off=topic and general interest subjects.
To celebrate the birthday of Renata Tebaldi, our friends at Opera Depot are offering a free download of live performances by this great diva.
“A charming musical performance welded to a dramatic production so old and stale that, like fish left out too long, it’s starting to smell.”
“In her first role in a play, Ms. Fleming will make her debut at the [Williamstown Theater Festival] in Living on Love…”
La Cieca’s operative deep in the bowels of the Josie Robertson Plaza has just informed her that the announcement of the Met’s 2014-2015 season is now less than two weeks away.
Well, “extreme” is such an, oh, how shall I put it… extreme word, my dears; really La Cieca is no more than the humble intermediary here between Mike Richter‘s CD-ROMs and you, the cher public. This time our treat from the trove is Eugene Onegin, a selection from his disc devoted to the Metropolitan Opera […]
So, cher public, have you heard about this fabulous new plan to revive the New York City Opera under the direction of Michael Capasso?
“The cast, to a member, embraces every chance…”
peaking of vicious-minded small town gossips, Rupert Christiansen (not pictured) is at his exercise again this morning, trying to tempt Dame Felicity Palmer into saying unpleasant things about David Alden and Richard Jones.
The very first words in this issue are “Renata Scotto will return to the American operatic stage in the 2001 season!”
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