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La Cieca leaves her loge, though not “in disgust,” to join democratically among the plebian members of the cher public.
With the well-known guitar player Milos Karadaglic, celebrating the decission of working together on a new, surprising and innovative project.
When people talk about an opera “production,” they tend to mean “the sets and costumes,” that is, the physical production.
I’m happy to report that Rigoletto from the 30 DVD Tutto Verdi set from the Teatro Regio di Parma is a blockbuster.
And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like…
What seems to be the European opera event of the summer, Elektra from the Festival d’Aix-en-Provence, will be webcast just a little over 48 hours from now, starting at 2:00 PM EDT on Friday.
She appeared almost like the ghost of Mélisande…
La Cieca is most unhappy indeed to hear that coloraturafan, the undisputed monarch of opera on YouTube, has had his “fourth or fifth” account on the service deleted.
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Between Fidelio and Der Freischutz there was “Romantische Oper,” a type of musical drama descended from medieval mystery plays in which ghosts, gnomes and other “invisibles” get entangled in the lives of unsuspecting people.
Coming September 17 from La Polverosa, a new CD entitled Guilty Pleasures.
“Placido Domingo Released From Hospital; Tenor Confirms He Will Sing Giovanna d’Arco”
La Cieca (pictured) gives you leave to discuss off-topic and general interest subjects.
What better way to spend a lazy Friday afternoon in midsummer than watching a webcast of Rigoletto?
There are so many neglected operas like Antony and Cleopatra or Les Huguenots that have been treated so unfairly…
Which Tony and Emmy winner plans to max out his acting resume by appearing at the Met next season, though, oddly enough, not in Traviata?
If you’re a hard-core opera buff who finds the Met’s flashy sets and costumes distracting, have I got a show for you!
Talk of the Town
A favorite Verdi performance from CKurwenal
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
East is West and West is East—the border ever less easy to fix.
Starting right this minute, Lucia di Lammermoor starring Diana Damrau and Joseph Calleja, webcast by Sonostream!
La Cieca apologizes for her tardiness in saluting dear Mary this week, but she thinks you will agree it’s worth the wait.
Opening last night, the most buzzed-about show at the Lincoln Center Festival was inspired by a 16th-century Chinese folk tale of a sassy Monkey, who uses his magic powers and awesome kung fu skills to retrieve holy scriptures from India.
So guess who makes more money than Peter Gelb and works less, sometimes a lot less? Answer: a lot of people.
The big news from Bel Canto at Caramoor’s presentation of Les Vêpres Siciliennes last Saturday is far from unexpected.
Stay cool and comment on off-topic and general interest subjects, cher public.
We waited eagerly to hear the Munich-born Jonas Kaufmann make his role debut as Manrico at the Bavarian State Opera as well the German-Greek soprano Anja Harteros take on Leonora’s bravura difficult arias.
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