m. croche
With Richard Strauss and Hugo von Hofmannsthal’s Arabella once again on the Met’s stage, I thought I’d take a moment to revisit that opera’s most reviled character, the Fiakermilli.
By m. croche
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My mailbox is filled with cards and letters, all asking the same question: “Croche, is there a classical music angle to the escalating conflict in Crimea?” My answer is: “Indeed there is!”
By m. croche
Taneev was quite a high-minded fellow, so it’s not altogether surprising that nothing less than Aeschylus (and the whole of his Oresteia!) would suffice as a libretto for his first and only opera.
By m. croche
Evgeny Nikitin‘s controversial tattoos have left many people puzzled and given rise to a good deal of speculation.
By m. croche
