According to the memoirs of Alma Mahler, her third husband, Franz Werfel used to wander around the cafés of Paris with one of his chums, singing arias from obscure Verdi operas at the top of their lungs until the management would ask them to move on.
Chris’s Cache offers an early 80th birthday salute to Jessye Norman with broadcasts of Elgar’s The Dream of Gerontius, and Schoenberg’s Gurrelieder plus a pair of opera arias by Verdi and Mascagni from a 1979 Atlanta Symphony concert with Robert Shaw.
Giovanni Verga‘s short story (which he adapted as a play with Giuseppe Giacosa) provides the basis for Mascagni‘s famous opera.
A starry concert Aïda in Baltimore proves unusually polished
John Yohalem reports on Catapult Opera’s satiating San Giovanni Battista
Alex Ross wrote an exciting, gorgeously detailed examination of, for better or worse, Ricky’s far reaching influence on music, theatre, architecture, film, literature, mental illness, Satanism, Homosexuality, and rough sex.
Opera Director and Detroit Opera Artistic Director Yuval Sharon begins his recent book A New Philosophy of Opera by imagining a future – some forty to fifty years from now – in which opera ceases to exist as an art form.
Vishnevskaya writes rather as she sings.
Antonio Pappano leads a performance recorded in London last month
Asmik Grigorian pulls a hat trick in Puccini‘s triple bill recorded (and reviewed) last month in Paris
With tenth anniversary productions of Fellow Travelers, the heart wrenching gay romance opera by composer Gregory Spears and librettist Greg Pierce, due to grace several major U.S. companies next season, what better way to commemorate Pride Month than by reading Thomas Mallon’s 2007 historical novel on which it’s based?
Handel‘s scintillating oratorio in a live video broadcast from Atlanta Opera
Two women singing an operatic love duet is virtually an everyday occurrence, but two men? Not so much.
Julian Budden‘s masterful, three-volume analysis of the entire Verdi oeuvre is fascinating reading.
Contrasting approaches to Regie duke it out in Cavalleria rusticana & Pagliacci and Rusalka in Munich
Krzysztof Warlikowski‘s Der Rosenkavalier at the Théâtre des Champs Elysées surpasses even Nigel Wilkinson‘s high ‘WTF threshhold’
Although presented as an overview of the performance of Italian opera from the first half of the 19th century, Divas and Scholars is really an impassioned defense of musicology as a discipline and of Italian opera as a subject worthy of scholarly attention.
In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele
Eli Jacobson on a luscious evening of early Strauss with Guntram at Carnegie Hall
If you love the astonishing vocal works of J. S. Bach, John Eliott Gardiner’s 2013 book is a deeply rewarding read.
Francesco Filidei’s new opera The Name of the Rose struggles to bridge the past and the present in Milan
A plodding La bohème in San Francisco never quite takes off
A fascinating autobiography that delivers both on the diva anecdotes and on intelligent artistic observations about the singer’s life.
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