Recent Stories
Some of my blog‘s habitués (they do exist) will know that I sometimes quote the people around me at the opera.
The term “narrative prosthesis” refers to the tendency for works of literature to use disability as the conflict upon which the whole narrative hinges. Herman Melville’s Moby-Dick is a quintessential example of “narrative prosthesis.”
A currently active dramatic coloratura who has the voice and technique for Odabella! how often do we see that?
I first saw her perform with Portland Opera in Lucia. I subsequently saw her in Traviata, also in Portland. Later, I saw her as both Gilda and Juliette as the Met.
Not sure if she’s under-appreciated per se, but hers is my favorite Manon Lescaut with Jussi Björling.
A performance recorded earlier this year at the Teatro Regio di Parma.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
parterre box is titillated (in the most prudishly puritanical way possible) to share a clip from the Paris Opera’s recent production of I Puritani starring Lisette Oropesa and Lawrence Brownlee
The assumption is that singers, singing in their own language, will be more expressive and idiomatic. The reality is that it often seldom makes a difference.
As of late, the Bay Area has been blessed with a few high-wattage, high-profile recitals as if to compensate for the chilly temperatures and gloomy weather. Roughly a month after Lise Davidsen made an ebullient debut at Cal Performances, the Bay Area welcomed French soprano Natalie Dessay last Saturday.
Diana Soviero, America’s standard-setter in Puccini and verismo — an artist whose vocalism was luminous, and whose inner conviction achieved the ultimate in shattering, profoundly moving emotional intensity.
As several readers put forth Patrizia Ciofi as a favorite under-appreciated soprano; Chris’s Cache enthusiastically agrees by offering a Ciofi-copia that includes complete operas by Handel and Meyerbeer and extensive excerpts of a Bellini, plus a dazzling concert of rare late 18th century arias.
I first heard Patrizia Ciofi in a production of La traviata from Venice. It was a very modern production set in present day, but still she shown through her performance was just incredible.
One of the highlights, if not the highlight, of No-Met-February was an all-Ravel evening presented by the Juilliard Orchestra.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Lou Ann Darras
A favorite Verdi performance from Lou Ann Darras
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
The Talk of the Town
A favorite Verdi performance from Astyanax
A favorite Verdi performance from Astyanax
The air held a real charge that night in SF’s War Memorial Opera House.
The air held a real charge that night in SF’s War Memorial Opera House.
The Talk of the Town
A favorite Verdi performance from Ivy Lin
A favorite Verdi performance from Ivy Lin
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
The Talk of the Town
A favorite Verdi performance from Mister Snow
A favorite Verdi performance from Mister Snow
Nothing prepared me for the Soviero experience
Nothing prepared me for the Soviero experience
The Talk of the Town
A favorite Verdi performance from Tildy Diva
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
The Talk of the Town
A favorite Verdi performance from Arrigo
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
As I mentioned in my last article (on the subject of Calixto Bieito’s production of Das Rheingold at the Paris Opera), in what the French might call une histoire belge, La Monnaie’s Ring cycle started with Romeo Castellucci as its director, and is now ending with Pierre Audi.
East Germany’s Hochdramatische icon, Berlin’s local Nachtigall.
Eli Jacobson inaugurates parterre box’s new “Perspectives on the Aria” feature with a deep dive into Leonore’s “Abscheulicher!” from Beethoven’s Fidelio which returns to the Metropolitan Opera tomorrow with the Met’s current dramatic soprano star Lise Davidsen as Leonore.
Unfortunately, Barbara Haveman does not perform very much anymore and she did not leave many recordings.
My parents- heroes that they were- used to drive me to Tower Records in Piccadilly Circus (RIP, to both the store and while we’re here, to my parents) after dinner on my birthday, to take advantage of the fact that it was open until midnight.
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