Nick of time Nick of time

Bass-baritone Nicholas Brownlee is the winner of the $50,000 2025 Richard Tucker Award

Down for the Count Down for the Count

An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met

Christopher Corwin says you <em>must</em> watch anything by Max Ophuls Christopher Corwin says you <em>must</em> watch anything by Max Ophuls

Max Ophuls, one of the greatest film directors, made masterpieces in French, German, English and Italian, as well as an amusing comedy in Dutch; he also clearly loved opera.

Dealt a bad hand Dealt a bad hand

Brian Jadge will be replaced by Brandon Jovanovich in the upcoming revival of The Queen of Spades, announces the Met press office

And ten for Mahler! And ten for Mahler!

This week’s Chris’s Cache presents an early May banquet of ten fine singers in eight vocal works of Gustav Mahler.

Astyanax says you <em>must</em> watch <em>Sunday Bloody Sunday</em> Astyanax says you <em>must</em> watch <em>Sunday Bloody Sunday</em>

The terzettino from Così fan tutte makes an unexpected and unforgettable appearance in John Schlesinger‘s 1971 Sunday Bloody Sunday.

Strawberry blonde forever Strawberry blonde forever

The Met Orchestra Chamber Ensemble’s Das Lied von der Erde skirts the sublime at Carnegie Hall

Peter Russell says you <em>must</em> watch <em>Goin’ to Town</em> Peter Russell says you <em>must</em> watch <em>Goin’ to Town</em>

As opera and operetta “had a moment” in major Hollywood motion pictures starring the likes of Lawrence Tibbett, Jeannette MacDonald, and Nelson Eddy during the Great Depression, it made perfect sense that a canny showman like Mae West would want a piece of the action.

Frick in the sheets Frick in the sheets

The Jupiter Ensemble with Lea Desandre and Anthony Roth Costanzo offers sleek and sexy HIP inaugurates the Frick Collection’s new Stephen A. Schwartzman Auditorium

Now you Caesar, now you don’t Now you Caesar, now you don’t

Before stopping at Carnegie Hall this weekend, The English Concert returned to the Bay Area last week with a fiery performance of Giulio Cesare

Aïda Aïda

A live broadcast from New York

Camille says you <em>must</em> watch <em>Senso</em> Camille says you <em>must</em> watch <em>Senso</em>

Visconti’s masterpiece and one of the great filmed sequences of opera.

Madama Butterfly

Eleonora Burrato and Jonathan Tetelman lead a performance from Berlin recorded last week with Kirill Petrenko conducting

Little girls get bigger every day Little girls get bigger every day

Elza van den Heever and Peter Mattei (and the stage elevator) elevate an assertive, if not definitive, new Salome at the Met

Il trovatore Il trovatore

A performance recorded last fall in New York

Remko Jas says you <em>must</em> watch <em>The Fifth Element</em> Remko Jas says you <em>must</em> watch <em>The Fifth Element</em>

After seeing The Fifth Element I wanted to see Inva Mula live, which I did (Nanetta, two years after the movie) and she certainly did not disappoint!

The other Mr. Brownlee The other Mr. Brownlee

While the thoroughly established Lawrence Brownlee reprises his familiar Count Almaviva in the Met’s Barbiere di Siviglia, parterre box calls your attention to another Mr. Brownlee making waves: Nicholas Brownlee.

Siegfried Siegfried

A live video stream from Atlanta Opera

Fjord every stream Fjord every stream

Lise Davidsen‘s singular Senta dominates the forces of the Norwegian National Opera in a roiling new recording of Der fliegende Holländer out now on Decca Classics

Darby Fegan says you <em>must</em> watch <em>Philadelphia</em> Darby Fegan says you <em>must</em> watch <em>Philadelphia</em>

One of the most moving scenes in film, accompanied by Callas‘s iconic singing.

Force of habit Force of habit

Turmoil and injustice in the federal government; turmoil and grief in the Catholic Church: the time sure seems right for a staging of Francis Poulenc’s Dialogues des Carmélites.

Ritorna vincitrice Ritorna vincitrice

Elina Garanca is back at the Met for the first time since 2020 — her Amneris is, in a word, sensational.

Kevin Ng says you <em>must</em> watch <em>Marie Antoinette</em> Kevin Ng says you <em>must</em> watch <em>Marie Antoinette</em>

Sofia Coppola‘s cult classic Marie Antoinette is best known for blending a whimsically baroque visuals with a post-punk score.

Momentum mori Momentum mori

A fine Don Giovanni at Opera Philadelphia rounds out the company’s inaugural season under Anthony Roth Costanzo