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Gianandrea Noseda leads seasoned Wagnerians in Andreas Homoki’s stark production of Die Walküre for Zurich Opera.
Born on this day in 1925 versatile mezzo-soprano Irene Dalis.
Here are another half-dozen past Trove Thursday highlights ahead of my new parterre box live-recording series launching a week from now.
On this day in 1989 Dolora Zajick and Aprile Millo faced off in Aida at the Metropolitan Opera.
David McVicar’s 2017 production of Tosca returned to the Met on Tuesday night, with an able and watchable, if not transcendent cast.
Léo Delibes’ opera, streamed from the Opéra Comique in a production staged by Laurent Pelly and featuring Sabine Devieilhe.
Born on this day in 1887 soprano Maria Jeritza.
Grand Tier Grab Bag
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
People turn up at a cancer hospital on the worst day of their lives. In I’m Revolting, a moving and often unsettling world premiere from Atlantic Theatre Company, playwright Gracie Gardner dissects the fears and motivations of patients and their caregivers with surgical precision.
Yulia Matochkina will make her Met role debut as Eboli in Verdi’s Don Carlo, replacing Anita Rachvelishvili.
On this day in 1996 Mirella Freni took on the title role in the Metropolitan Opera’s new production of Fedora.
Yuval Sharon at Boston Lyric Opera has brilliantly found an interpretative middle ground for La bohème by presenting the acts in reverse order.
Sondra Radvanovsky‘s mean, moody, magnificent Medea fascinated the cher public as the season kicked in at the end of September.
On this day in 1968, the Metropolitan Opera debuted a new production of Tosca (the company’s first since 1917!) featuring Birgit Nilsson and Franco Corelli.
On this day in 1966 Birgit Nilsson and Franco Corelli sang Turandot in the new Metropolitan Opera house at Lincoln Center where, according to reports, they were louder than ever.
Talk of the Town
A favorite bass performance from Leyla Gender-Bender
Fyodor Chaliapin is considered one of the greatest basses ever because he combined a dark, flexible, and instantly recognizable bass voice with extraordinary musical intelligence and nuance.
Fyodor Chaliapin is considered one of the greatest basses ever because he combined a dark, flexible, and instantly recognizable bass voice with extraordinary musical intelligence and nuance.
A favorite bass performance from CKurwenal
I wanted to make sure Paata Burchuladze gets celebrated in this series.
I wanted to make sure Paata Burchuladze gets celebrated in this series.
The René Jacobs Giulio Cesare is so overrated
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
The 1946 La traviata is so overrated
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
The 1957 Anna Bolena is so overrated
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
The Solti Ring Cycle is so overrated
It was many decades ago that I first listened to the Solti Ring Cycle.
It was many decades ago that I first listened to the Solti Ring Cycle.
Both the mise-en-scène and the musical direction amplified the absolute worst tendencies of the Opéra Comique’s Lakmé in the most tasteless and baffling ways.
On this day in 1966 the Metropolitan Opera offered the company premiere of Die Frau ohne Schatten.
Lise Davidsen and Le Gateau Chocolat reunite for this performance from the 2022 Bayreuth Festival.
Michael Spyres’s nobly moving Idomeneo wasn’t just a bravura triumph: singing strongly throughout, he brought more colors to his portrayal of the tortured king than I had experienced from others in the Ponnelle production.
On this day in 1976 mezzo-soprano Elena Obraztsova made her first Metropolitan Opera appearance as part of the “Met Marathon” fundraising gala.
It’s nasty world, Shostakovich seems to say, where life alternates between boring and terrifying.
Director Barrie Kosky brings to Fiddler on the Roof fascinating ideas, fine casting, equal mixes of comedy and sadness, and, from the beginning, a sense for we of the audience that we were about to spend three hours in very good hands.
On this day in 1996 the Metropolitan Opera opened its season with a revival of Andrea Chenier starring Luciano Pavarotti and Maria Guleghina.