Disorientation Disorientation

Teatro Nuovo took a big risk in a bad way on Wednesday with its revival of Rossini’s Maometto II.

Aida Aida

Latonia Moore, Melody Moore, Russell Thomas and George Gagnidze lead the cast in this performance from Los Angeles Opera.

We’ll always have Paris (or maybe not) We’ll always have Paris (or maybe not)

The revival of Don Carlo(s) which opened on November 3 restored the translated Italian text and the cut 1882 four-act revision not seen at the Met since Rudolf Bing’s last season in 1972.

“Judicious liberality” “Judicious liberality”

On this day in 1883 the Metropolitan Opera presented the company premiere of La traviata.

“Almost unbelievable crudity” “Almost unbelievable crudity”

On this day in 1924, the Metropolitan Opera presented La bohème, a performance visiting critic Ernest Newman didn’t seem to like one bit.

Don Carlo Don Carlo

Four acts, in Italian… the good old Don Carlo we all know and love.

“Opera has become like instant soup” “Opera has become like instant soup”

On this day in 1989 soprano June Anderson made her Metropolitan Opera debut in a new production of Rigoletto.

Last dance Last dance

If it is true that there are few respectable ways for people over 40 without small children to celebrate Halloween, a performance of Richard Strauss’ pioneering horror opera Elektra belongs on the short list.

Turbata anima mia Turbata anima mia

On this day in 1931 apparently ubiquitous soprano Rosa Ponselle graced the Metropolitan Opera’s opening night performance of La traviata.

A word from our sponsors A word from our sponsors

La Cieca extends the heariest imaginable thanks to our parterre box advertisers for the month of November 2022!

Westward turns the gaze Westward turns the gaze

A welcome return by Christian Ocier reviewing Wagner in far-flung Seattle led the top ten most read posts for the month of October.

Days of the diva Days of the diva

The magazine to which I no longer subscribe has for years celebrated divas each November; Chris’s Cache follows suit offering favorite sopranos and mezzos in live-performance rarities every Tuesday this month.

Antique sonority Antique sonority

On this day in 1926 the Metropolitan Opera opened its season with La vestale with Rosa Ponselle in the title role.

He plays the violin He plays the violin

The pandemic had different effects on different people. 

“The work by which I stand or fall” “The work by which I stand or fall”

Dame Ethel Smyth’s third opera, The Wreckers, opened at Houston Grand Opera on October 28 and runs through November 11.

Burning and bitter beauty Burning and bitter beauty

On this day in 1927 the Metropolitan Opera opened its 1927 season with a revival of Turandot featuring Maria Jeritza and Giacomo Lauri-Volpi.

Utterly commanding Utterly commanding

On this day in 1975 the Metropolitan Opera presented the role debut of Régine Crespin as Carmen.

Das Rheingold Das Rheingold

Video streaming from the Staatsoper Berlin with Christian Thielemann conducting a new production by Dmitri Tcherniakov.

“Dynamic, highly charged, tigerish” “Dynamic, highly charged, tigerish”

On this day in 1956 the Metropolitan Opera opened its season with Maria Callas in Norma.

An unholy decadence An unholy decadence

On this day in 1966 the Metropolitan Opera presented a new production of Elektra.

On a par with tuberculosis On a par with tuberculosis

Come back, Big Clock! We need you more than ever!

“Prima inter pares” “Prima inter pares”

On this day in September 27, 1988, the Metropolitan opera presented the company premiere of Giulio Cesare, starring Kathleen Battle and Tatiana Troyanos.

Leaner, meaner and tighter Leaner, meaner and tighter

Why did Ted Sperling and MasterVoices choose to perform an old warhorse like Carmen which has been produced almost continuously over decades just up the street at Lincoln Center?

Someday my prince will come Someday my prince will come

On this day in 1995 the Metropolitan Opera presented a new production of Pikovaya Dama, an evening which also provided a spectacular company debut for baritone Dmitri Hvorostovsky.