Recent Stories
Teatro Nuovo took a big risk in a bad way on Wednesday with its revival of Rossini’s Maometto II.
The revival of Don Carlo(s) which opened on November 3 restored the translated Italian text and the cut 1882 four-act revision not seen at the Met since Rudolf Bing’s last season in 1972.
On this day in 1883 the Metropolitan Opera presented the company premiere of La traviata.
On this day in 1924, the Metropolitan Opera presented La bohème, a performance visiting critic Ernest Newman didn’t seem to like one bit.
On this day in 1989 soprano June Anderson made her Metropolitan Opera debut in a new production of Rigoletto.
If it is true that there are few respectable ways for people over 40 without small children to celebrate Halloween, a performance of Richard Strauss’ pioneering horror opera Elektra belongs on the short list.
Grand Tier Grab Bag
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
On this day in 1931 apparently ubiquitous soprano Rosa Ponselle graced the Metropolitan Opera’s opening night performance of La traviata.
La Cieca extends the heariest imaginable thanks to our parterre box advertisers for the month of November 2022!
A welcome return by Christian Ocier reviewing Wagner in far-flung Seattle led the top ten most read posts for the month of October.
The magazine to which I no longer subscribe has for years celebrated divas each November; Chris’s Cache follows suit offering favorite sopranos and mezzos in live-performance rarities every Tuesday this month.
On this day in 1926 the Metropolitan Opera opened its season with La vestale with Rosa Ponselle in the title role.
The pandemic had different effects on different people.
Dame Ethel Smyth’s third opera, The Wreckers, opened at Houston Grand Opera on October 28 and runs through November 11.
On this day in 1927 the Metropolitan Opera opened its 1927 season with a revival of Turandot featuring Maria Jeritza and Giacomo Lauri-Volpi.
Talk of the Town
A favorite bass performance from Christopher Corwin
As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.
As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.
A favorite bass performance from TildyDiva
The greatest bass performance I ever experienced was actually four – four performances in four roles.
The greatest bass performance I ever experienced was actually four – four performances in four roles.
A favorite bass performance from William Guanbo Su
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
A favorite bass performance from H_Badger
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
A favorite bass performance from Eli Jacobson
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
A favorite bass performance from La Grunowa
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
On this day in 1975 the Metropolitan Opera presented the role debut of Régine Crespin as Carmen.
Video streaming from the Staatsoper Berlin with Christian Thielemann conducting a new production by Dmitri Tcherniakov.
On this day in 1956 the Metropolitan Opera opened its season with Maria Callas in Norma.
On this day in 1966 the Metropolitan Opera presented a new production of Elektra.
Come back, Big Clock! We need you more than ever!
On this day in September 27, 1988, the Metropolitan opera presented the company premiere of Giulio Cesare, starring Kathleen Battle and Tatiana Troyanos.
Why did Ted Sperling and MasterVoices choose to perform an old warhorse like Carmen which has been produced almost continuously over decades just up the street at Lincoln Center?
On this day in 1995 the Metropolitan Opera presented a new production of Pikovaya Dama, an evening which also provided a spectacular company debut for baritone Dmitri Hvorostovsky.