our own
The parterre team is glad to make available a professionally produced recording of the February 3rd memorial held in honor of parterre box founder James Jorden
Members of cher public are reminded that the upcoming celebration of the life and legacy of parterre box founder James Jorden will be held one week from today (February 3) at 2 PM EST in Adler Hall at the Society for Ethical Culture in New York City.
Readers, writers, and stars reflect on the 30th anniversary of “the most essential blog in opera” (NYT)
parterre box turns 30 on Sunday and writers from around the box are reflecting on the legacy of founder James Jorden and three decades of “remembering when opera was queer and dangerous and exciting and making it that way again”
parterre box turns 30 on Sunday and writers from around the box are reflecting on the legacy of founder James Jorden and three decades of “remembering when opera was queer and dangerous and exciting and making it that way again”
The writers of the Box and James’s friends are saddened to announce the death of the inimitable founder of Parterre Box
On this day in 1979 Stephen Sondheim and Hugh Wheeler‘s Sweeney Todd: The Demon Barber of Fleet Street opens at the Uris Theatre, to run 557 performances.
The inimitable, irrepressible Miss Tallulah Bankhead once more graces the studio of Unnatural Acts of Opera with a guest appearance on Apocryphal Opera Anecdote Theater. The legendary stage star joins Our Own La Cieca and Miss Cratchitt to perform a pair of scenes from Shakespeare’s Macbeth. The main event, of course, is the second and…
Perhaps the last people in the world still interested in Jerry Springer: the Opera are trying to get together a protest against the January 29 Carnegie Hall concert performance of the “patently obscene and viciously anti-Christian musical.” Our own JJ, you know, saw the show in London way back when Jenny Larmore was still fat,…
“The presence of the voiceless Rosalind Plowright in the supporting role of Gertrude demonstrates the folly of the Met’s notoriously Britcentric artistic administration. Surely there are dozens of equally over-the-hill American mezzos who could have shrieked the role just as atonally.” Our own JJ reviews the Met’s productions of Hansel and Gretel, Die Walküre and…
La Cieca pulled a string or two and managed to get permission to embed a clip from the VAI Lucia so recently lauded by Our Own Niel Rishoi. Of course YouTube video and audio is severely compressed, but the imaginative viewer will surely get the gist that this is a performance for the ages.
The Washington National Opera has announced their 2008-2009 season will feature headliners Renée Fleming and Andrea Bocelli under the artistic direction of Plácido Domingo. According to an article by Our Own Anne Midgette in today’s Washington Post, The Beautiful Voice will grace a new production of Donizetti’s Lucrezia Borgia, an opera that has deep personal…
“Legendary maestro Tullio Serafin once said that trying to perform Bellini’s Norma without a great soprano is as futile as attempting to cook risotto without rice. This month, the Metropolitan Opera experimented with such a recipe with less than palatable results.” Our Own JJ reviews Hasmik Papian‘s Druidess in Gay City News.