cher public
La Cieca (pictured) wishes her cher public a sensible and safe “Cyber Monday” shopping experience!
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Enjoy spectacular savings on everything from tablet computers to RIce Krispies during Amazon Prime Days!
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LOTNY LIVESTREAM CONCERT on JUNE 4!
LOTNY presents MONTEVERDI & other Treasures from the Seicento (Friday, June 4, 7:30pm ET), a livestream concert featuring a complete performance of Claudio Monteverdi’s Il combattimento di Tancredi e Clorinda, and music of the time by Barbara Strozzi and Dario Castello. Tickets start at $5. Visit lotny.org.
A parterre box reader has had to cancel an opera trip to Germany scheduled from November 29 – December 6 and wants if possible to share his tickets with members of the cher public.
By La Cieca
UPDATED: Now with even more operatic tackiness! A sampling of Diva Dress Disasters submitted by the cher public.Seen worse disasters? Email La Cieca!
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Advertise on parterre box!
parterre box, “the most essential blog in opera” (New York Times), is now booking display advertising for 2021. Join Carnegie Hall, Lincoln Center, BAM, New York City Opera and many others in reaching your target audience through parterre box.
In order to stem what seems to be a rising tide of anonymous postings (and to save herself the hassle of deleting them) La Cieca offers these instructions on how to post comments using a Nickname. When you click on the “POST A COMMENT” link, you go to the “Leave your comment” form. At the…
By La Cieca
La Cieca’s DVR hard drive will be overflowing by the end of this November since the indispensable Turner Classic Movies has scheduled a whole month of “guest programmers.” Among the celebrities gracing the tube to introduce their favorite flicks will be some of particular interest to the parterre crowd. For example, this Thursday, November 8,…
By La Cieca
An interview with director Krzysztof Warlikowski in the current issue of Takt, the house magazine for the Bayerisches Staatsoper, confirms that you, cher public, were exactly right about the “slant” of his new production of Yevgeny Onegin opening tonight in Munich. In the interview (available online, as is the rest of the magazine, in pdf…
By La Cieca
UPDATE: And now, my dears, we’ve even reached the AP! (How long before we’re on the UP and every other damn P?) La Cieca’s young, young, young friend Maury D’anatto writes: “Too funny, La Cieca: did you coin hunkentenor? Because there was just this intermission interview with Joseph Kaiser that went somewhat off the rails…
By La Cieca
Ever since everyone’s favorite apocryphal diva (with the possible minority exception of Lena Geyer), the oracular Oltrano herself, Marwdew Czgowchwz, vanished across the ocean at a time (time out of mind) that was somehow both 1956 and 1975 and yet neither, La Cieca, like all the rest of you, has reread her first copy of…
By La Cieca
La Cieca predicted a cast change earlier, and what do you know, so it came to pass! Soprano Lisette Oropesa will sing the Tuesday prima of the Met’s revival of Le nozze di Figaro and at least one more performance. She is jumping in for the enceinte Isabel Bayrakdarian. Ms. Oropesa is not only a…
By La Cieca
La Cieca wasn’t “in the house” for the Lucia prima last night like so many of her colleagues; instead she hosted perhaps the most popular of all her online chats thus far. Approximately 120 of you cher public logged in at some point during the night, with 75 or so on average staying for the…
By La Cieca
La Cieca’s chat returns Monday night to welcome in the new Met season. Topic of discussion: the evening’s prima of the new production of Lucia di Lammermoor, as broadcast on SIRIUS Internet Radio. Please check back on this site after 5:00 pm Monday for a link to the room, which will open at 6:15 pm…
By La Cieca
Those of the cher public who want to attend opera on the cheap or who just want to get a jump on the season should check out New York City Opera’s Opera for All program. The NYCO is offering three performances this week with all tickets priced at $25: a gala concert on September 6,…
By La Cieca
Congratulations to NYT writer Michael Kimmelman, whose post-mortem on Katharina Wagner‘s Bayreuth Meistersinger contains a sentence that beats all world’s records for running, standing and equivocation: The approach is not, in the abstract, without merit, Beckmesser having always seemed a proto-Jew to Wagner, awaiting modern redemption; the opera’s end comes across as the screed it…
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