Sylvia Korman
Hunger was the note of the night, a sentiment shared between the audience and Proving Up, a lean and hungry one-act telling a story of drought and desperation on the post-Civil War Western frontier.
I’m no fach expert but I will admit the “gay stile” is a new one for me — somewhere between the lyric and the dramatic tenor voices, perhaps?
I love the comments that really seem to think they balanced the positive with the negative.
Sounds like a better Friday night than “what the composer intended.”
Broadway’s new Head Over Heels is anything but under committed; it’s a show with an irresistibly fun spirit and an infallibly good heart.
“Too sexy” is a hell of an accusation for a woman wearing a giant mesh Brillo pad!
Here’s a set of comments that I think really captures the duality of YouTube — two criticisms of Jonas Kaufmann. I won’t say which I personally find more valid!
I found myself engrossed in the comments of bitchy queens and backseat directors.