Headshot of La Cieca

Cher Public

  • zinka: httpv://www.youtub e.com/watch?v=5fZd gMXd82E& Galvany at 3:33 Who here can do this???????????... 3:38 PM
  • la vociaccia: She sounded, really, really bad though. I’m not arguing that she ‘doesn’ ;t... 3:32 PM
  • La Valkyrietta: How about this, mon cher Dabrowski? All wrong, perhaps, but not ridiculous at all. Exciting.... 3:03 PM
  • overstimmelated: There were comments on the amplification and balance by tancredipasero in another thread... 2:40 PM
  • laddie: Paul Curran has done several productions at Santa Fe Opera, three of which I have seen, the best... 2:39 PM
  • bluecabochon: There are enormous speakers on either side of the Met’s proscenium for all to see, fwiw. 2:23 PM
  • rapt: Wow! Thanks so much for posting this truly illuminating– ;and touching, I think–articl e. 2:12 PM
  • La Valkyrietta: To illustrate the phrase “from the ridiculous to the sublime”. httpv://www.you... 1:41 PM
  • Vittelio Scarpia: Paul Curran, the director who will stage the new “La donna del lago” next year... 1:37 PM
  • La Valkyrietta: Dabrowski, Your question, “Is the Wagner “heavier” and appropriate only for dramatic... 1:32 PM

Vissi d’artist

The San Francisco Opera is batting a thousand where young singers are concerned this season. There, see? A gesture of goodwill to local sports fans. Boy, the “Niners” really took a “beating” in “game two,” huh? Anyway, where were we? Read more »

Anger’s aweigh

It was a night a-tingle with excitement at the Metropolitan Opera House. At least part of this lay in never knowing when vocal protests might explode (verbally) somewhere in the auditorium.

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Unadorned

There was wonder and magic Wednesday night in Philly when The Philadelphia Chamber Music Society presented British tenor Mark Padmore and American pianist Jonathan Biss in a recital devoted to the songs of Schumann, Tippett, and Fauré. Read more »

gotham_2

Martinu, very dry

Gotham Chamber Opera, which began to operate twelve years ago with a double bill of Bohuslav Martinu’s quirky little pieces, opened its 2014-15 season with two more, Alexandre bis (Alexander, twice) and Comedy on the Bridge.

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Fetes_1

Myth opportunity

America hasn’t exactly been vigorous about commemorating the 250th anniversary of the death of Jean-Philippe Rameau.

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matthew_1

Black, box

Passion propels more operas than almost any other human emotion; however, many musical dramas have a very different sort of passion—the final days of Jesus—as their subject.

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Anthony Barrese

Sweet prince

The rediscovery of Franco Faccio’s Amleto, a curious score that last week, via Baltimore Concert Opera, received its first performances since 1871, reminds us just how tough an act Giuseppe Verdi was to follow.

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Iphigenia_amazon

No such Gluck

When Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.

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ballo_san_francisco

Stockholm syndrome

The big news out of the Bay this week, of course, is that David Gockley, after ten years at the helm here and over forty in opera, has decided not to pull a Bloomberg/Galupe-Borszkh.

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fanciulla_amazon

Panning for gold

Giacomo Puccini’s horse-opera version of “Snow White and the Seven Dwarfs,”  La Fanciulla del West, based on David Belasco’s play, The Girl of the Golden West, enjoyed the status of a curate’s egg for quite a while.

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