The gala lilies are in bloom again
Saturday night the Los Angeles Opera threw itself a party.
211 pieces since 2005 — in 1 role, at 6 companies, most often at Metropolitan Opera.
Saturday night the Los Angeles Opera threw itself a party.
Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.
When was the last time the Metropolitan Opera mounted a new production that was musically outstanding yet the direction and/or design mostly sucked?
Despite having lost its announced Cherubino, conductor and Count (the latter in the midst of rehearsals), the season premiere of Le Nozze di Figaro Saturday afternoon proved to be one of the most enjoyable Met Mozart performances I’ve attended in ages.
We are the elusive, the mysterious, the ever-courted Millennial Audience, Mr. Darcy to the marketing department’s Mrs. Bennet.
Friday night’s Rigoletto at the Metropolitan Opera revealed once again a predictable dissonance between the performances on stage and Michael Mayer’s production.
On this day in 1948 tenor Giuseppe di Stefano made his Metropolitan Opera debut as the Duke of Mantua.
On this day in 1966, the Metropolitan Opera debut of tenor Alfredo Kraus as the Duke of Mantua.
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
A “lone voice in the wilderness” booed Barbara Frittoli’s calamitous Nedda.
After nearly three years and over 20 performances Michael Mayer’s “Las Vegas” production of Rigoletto at the Metropolitan Opera still outrages many.
Sony Classical, in association with The Metropolitan Opera, has begun issuing on CD a number of historic Met broadcasts, newly remastered. The first I received for review was the December 10, 1955 broadcast of Verdi’s Un ballo in maschera, perhaps most notable for the Ulrica of Marian Anderson, who earlier that year made her debut […]
There is no cry heard more often these days than, “Where are all the Verdi sopranos?!?” Yes, there was a day when we had the likes of Aprile Millo, Eva Marton, Leontyne Price, Renata Tebaldi, Maria Callas, Leonie Rysanek, Zinka Milanov and Antonietta Stella all singing in the same, say 25 or 30 years. While […]
Rolando Villazon not apparently in his very best form but La Cieca is very impressed with a) his willingness to sing out and take chances even when he is less than 100% and b) his well-supported legato that is the basis of even his most vehement singing. Anna Netrebko found a way to interpret Gilda […]
The Monkey King at San Francisco Opera combines spectacle and sentiment.
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
I’m happy to report that Rigoletto from the 30 DVD Tutto Verdi set from the Teatro Regio di Parma is a blockbuster.
Celebrating Simon Keenlyside, the most popular artist on your alte Jungfer’s Mixcloud Web site.
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