Rondo and rondo and rondo we go Rondo and rondo and rondo we go

A convocation of mezzos–and a pride of tenors–produce hundreds of sixteenth notes in a bewitching Rossini showpiece

Keeper of the dumpster fire Keeper of the dumpster fire

To get right to the point, the performance did not come together despite some good elements and was a major missed opportunity.

You’re better off without me, mein Hair You’re better off without me, mein Hair

I hate to say I nearly cringe at the thought of Gioachino Rossini’s Il Barbiere di Siviglia.

The high and the mighty The high and the mighty

Last Wednesday the 92nd Street Y presented the friendliest-ever episode of American Gladiators when Lawrence Brownlee and Michael Spyres continued their bel canto bromance with a delirious (almost) all-Rossini recital accompanied by Myra Huang.

Color Me Barbiere Color Me Barbiere

Live opera returns to Lincoln Center when Teatro Nuovo presents Il Barbiere di Siviglia on July 27 and 28.

I have a song to sing, O! I have a song to sing, O!

The lovely English soprano Valerie Masterson turns 84 today, prompting Trove Thursday to present her in a pair of her specialties.

Bloody Mary, Hold the Pepper Bloody Mary, Hold the Pepper

Come ye addicts of melody! After long eclipse, Bel Canto shines again!

The long listen The long listen

A conversation with maestro Gil Rose of Odyssey Opera.

A Lesbian in distress A Lesbian in distress

Zelmira, a work of 1822, was the last of the eight operas Rossini composed for the Teatro San Carlo in Naples, then the largest opera house in Italy—perhaps in Europe.

The lady’s a star The lady’s a star

I just arrived back from Stella di Napoli’s.

Love in bloom Love in bloom

Everything about Aleksandra Kurzak’s new disc is a variation on the term “fioritura.”

Conquering Ciro Conquering Ciro

By the time Rossini was 20, he had produced six operas, most of them brief, comic and slight. He admitted to admiring Mozart (not then well known south of the Alps), but the melodies of his early works show more of the influence of Paisiello.

The muse as mezzo

Joyce Di Donato‘s latest release is a CD entirely devoted to music Rossini composed for his first wife, Isabella Colbran, one of the most celebrated divas of the early 19th century. 

queen of the pirates

Leyla Gencer: The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas, Renata Tebaldi, Renata Scotto, Montserrat Caballe, and Magda Olivero, all of whom shared roles in her repertoire. Ironically, Gencer has a number of important credits attached…