Congratulations to tenor Stephen Costello, who today was officially awarded the ceremonial title of Villazóneinspringer at the Vienna State Opera. No, actually, he’s jumping into two performances of La boheme, replacing Rolando Villazón, on September 6 and 9.
“The halls of CAMI are not a happy place right now,” an insider informs La Cieca, and according to information received by parterre.com more than half a dozen long-time Columbia Artists Management personnel have not had their contracts renewed in recent weeks.
Three seasons of cancellations, a schlocky “reality” show, that haircut, and now… Rolando Villazón has gone full “Dr. Patch.” [Yahoo News]
The legendary Russian mezzo-soprano has died after a brief illness. She was 85.
Like Liza Minnelli at the Palace or Nomi Malone in Goddess, Renée Fleming‘s Thaïs is better understood as diva event than Gesamtkunstwerk. It’s an opportunity to watch a star lady do her voodoo in a work that exists largely to showcase her glamour and appeal.
In Zurich, the 20th century has apparently never ended. Opening on Thursday, a “revival” of Nabucco conducted by Nello Santi, directed by Jonathan Miller, and starring Maria Guleghina (Abigaille), Juan Pons (Nabucco) and Carlo Colombara (Zaccaria). Unfortunately, budget constraints prevent us from hearing the Fenena of Agnes Baltsa…
On Monday, a A solo recital by Cheryl Studer sold so few tickets that the organizers of the event didn’t even bother to show up at the venue on the night of the performance. [Tagesspiegel]
UPDATE, 10:55 pm: The Associated Press confirms that Hildegard Behrens died early Tuesday, according to an email sent to opera officials by Jonathan Friend, artistic administrator of the Metropolitan Opera. La Cieca has just received an as yet unconfirmed report that Hildegard Behrens died earlier today in Japan, where she was preparing for a Lieder…
Which recent cancellation really has nothing to do with the music, and everything to do with the fact that the stars don’t want to play a couple onstage when offstage they will soon be an ex-pair (in the legal sense)?
“As the East Village gentrifed over the past decade, gone are the punk-rock club, the dive bar, the crack den . . . the opera house.” Our Own JJ marks the finale of Amato Opera. [NYP]
La Cieca is sorry, sorry, sorry about the downtime on parterre.com. The hosting company blames wordpress, and wordpress blames the host, and La Cieca is very rattled right now. If you can hook La Cieca up with someone who knows about PHP and SQL databases, please email her at [email protected] . Thanks, folks.
Resilient soprano Christine Brewer has made a quick recovery from her knee injury, La Cieca hears. The soprano, missed so sorely this season in the Met’s Ring, will return to the stage tomorrow night for a performance of the Verdi Requiem with the Santa Fe Symphony. Ms. Brewer is jumping in (if that is the…
Rolando Villazón “should be well enough to return to the stage by the end of the year” after having surgery “to remove a cyst on his larynx” according to his concert management. Among the engagements Villazón is expected to cancel are Werther in Vienna and Munich, Nemorino in Los Angeles and Paris, and a new…
As you all know by now, Rolando Villazón is out of the rest of the performances of L’elisir at the Met. The Met press office held on to this news until after 7:00 tonight, which is perhaps some indication of just how bad the Met considers this news to be. This is what La Cieca…
La Cieca never knows quite how far to go in repeating what she “is told,” but since some of it seems to be leaking out anyway, well, she’ll try to be tactful. Apparently sometimes opera companies choose to use terminology like “laryngitis” and “knee injury” in order to avoid having to say “exhibited bizarre behavior…
La Cieca really, really doesn’t like to say this, but the truth seems to be staring us in the face, so here goes. We have seen the last of Rolando Villazón at the Met. Even though he’s announced as having canceled only the first two performances of Elisir, it’s pretty clear that he’s just not…
La Cieca is of course delighted to learn that dear John Waters intends to have Pink Flamingos adapted into an opera — though, sadly, he might as well forget about having the work premiered in his home town. La Cieca can’t imagine which currently active composer might be up for the daunting task of setting…
As La Cieca hardly thinks she needs tell you, among the attributes of a prima donna necessary to the success of a performance of Adriana Lecouvreur are morbidezza, il sacro fuoco, voce di petto and of course the ability to wear a turban. And surely you do realize that, sad to say, not everyone can pull off a turban.Â
[Our Own Gualtier Malde (along with a few thousand other people) attended the public dress rehearsal of the Met’s new production of La sonnambula this morning. Here is his report.] Innocence, rustic naiveté and virginity just don’t get no respect no more. I should know, I grew up way out in central New Jersey and…
[La Cieca’s old, old, old friend Camille attended Montserrat Caballe‘s Valentine’s Day duo recital earlier this month. Her reactions — which she admits it took her some days to sort out in her mind — follow.] After some reflection and reviewing Caballe’s Orange Festival Norma, once again, I can merely pipe up with my opinion…
Sharp-eyed reader Sadie Salome writes: It seems I was the only one spent much of last night’s letter scene peering through her binoculars at Karita Mattila‘s fine acting, because I see no report on your site of last night’s mishap (and if it isn’t on your site, then it obviously hasn’t been reported anywhere!) As you…
Following in the footsteps of Harrison Birtwistle‘s Minotaur and Thomas Adès’ The Tempest (which featured the half-human character Caliban), the Royal Opera House has commissioned yet another opera based upon a legendary monster. The as-yet-untitled oeuvre is the life story of Anna Nicole Smith, with music by Mark-Anthony Turnage (The Silver Tassie) and libretto by…
The operatives were busy over the midnight hours: “Act 3 was a mixed bag. The opening showed Villazon in much better form, with solid phrasing. The Mad Scene started out beautiful, Netrebko spinning out haunting legato. She was completely involved and engaged. Then she fell apart at the flute solo, sounding under supported and wavering…
La Cieca has just heard that Opera Orchestra of New York will cancel the remainder of their 2009 season, which was to have consisted of Rienzi on March 19 and Medea on April 21.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
