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parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.
The Italian soprano, pedagogue and mentor has died. She was 89.
Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.
Trove Thursday celebrates early St. Cecilia’s Day—November 22—with a 1976 performance of Licino Refice’s Cecilia starring Renata Scotto as the patron saint of music and musicians.
“Several prima donnas have sought to resurrect La Vestale, including Renata Scotto.”
Your doyenne’s origin myth must always be understood to begin with the bite of a radioactive soprano way back in 1976.
On this day in 1965 soprano Renata Scotto made her Metropolitan Opera debut as Cio-Cio-San.
“Trove Thursday”’s latest folie de grandeur is an overflowing three-part explosion of post-war divas in live performances of unexpected arias always in the “wrong language.”
Happy 84th birthday to the diva of divas, Renata Scotto!
Tristan has been the season-launching opera three times before now, but good luck finding someone to provide a firsthand account of the last time.
Can it really be 40 (Four, oh!) years since La Cieca was born?
Tenor Michael Fabiano reportedly tore the place down tonight at WQXR’s Greene Space.
Some very clever casting indeed in this week’s “Dream Team” competition.
In honor of WQXR’s salute to the Richard Tucker Music Foundation next week—featuring Tucker honoree Michael Fabiano and hosted by legendary Renata Scotto—La Cieca invites the cher public to compete for free tickets to the mini-concert.
In a slight detour from the usual all-opera-all-the-time format of parterre box, the queer opera zine, issue #44 centers on Ben Letzler‘s superb appreciation of film and cabaret diva Zarah Leander.
The very first words in this issue are “Renata Scotto will return to the American operatic stage in the 2001 season!”
“Richard Bernstein is a very good-looking guy, even with his clothes on.”
In Vintage Issue #32: How that opening night of Lohengrin might have gone; La Cieca on La Gran Scena…
Then and now: the “Dio ti giocondi, o sposo” duet from Otello.
Parterre’s tutelary diva shares espresso and cookies with parterre’s fave scribe Zachary Woolfe in preparation for the gala Met Legends event honoring her next Sunday.
Separated at birth: “Tu che di gel” goddess Renata Scotto and “Too much hair gel” oddness Johnny Weir. This is also holiday-themed breaking news because Johnny has now officially donned his gay apparel. [After Elton]
Chicago’s opera community has been abuzz about this production of Verdi’s Un ballo in maschera ever since the 2010-11 Lyric Opera season was announced. A sumptuous production owned by San Francisco opera, major female stars, a solid male cast of experienced Verdians, and stage direction by the legendary Renata Scotto—what more could one ask?
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