A voice and something more A voice and something more

parterre‘s very own Max Keller opens up in The New York Times (!) about how starting T has affected their voice

The gang’s all queer The gang’s all queer

If the original version of The Prom had zazz—to borrow from one of the show’s signature numbers— Ryan Murphy’s adaptation barely achieves fizz.

For those about to frock For those about to frock

Says Jamie Barton: “It’s so important for me to stand up proudly as a bisexual woman.”

Ringing in my queers Ringing in my queers

Stonewall threads some difficult needles with great success overall in this last installment of New York City Opera’s Pride Month Programming.

Another one bites the Russ Another one bites the Russ

The most exquisitely queer “parterre box” headline of all time has been written.

We’re here, we’re queer (well, some of us) We’re here, we’re queer (well, some of us)

What the hell is Three Way doing on a list of 7 American Operas That Put LGBTQ Issues Center Stage?

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)