We’re here, we’re queer (well, some of us)
What the hell is Three Way doing on a list of 7 American Operas That Put LGBTQ Issues Center Stage?
By
La Cieca
With all due respect to the creative team responsible for Three Way (in particular David Cote, a librettist of real distinction), what the hell is this piece doing on a list of 7 American Operas That Put LGBTQ Issues Center Stage?
Of the three short operas that comprise this piece, two deal exclusively in heterosexual relationships and the third portrays an orgy among four male-female couples. Of those pairs, three are clearly heterosexual, and the fourth identifies as gender nonconforming. While the female partner from this couple is off doing titillating same-sex stuff (for the amusement of the white cis hetero males among the guest list), the male partner (a countertenor, for Christ’s sake) briefly laments his misfit status. At that, he’s given less stage time than the baritone who bewails his erectile dysfunction.
This is LGBTQ?
Photo: Steven Pisano
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
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Topics: gay, gender identity issues, queer
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People: David Cote
