Lyric Opera of Chicago’s Le Comte Ory was a lovely cake with waaaay too much frosting.
Rodrigo is a ball-breaking role, but Lawrence Brownlee makes the demands sound easy—tossing in additional high notes and audaciously decorating cabalettas as if it were the easiest thing in the world.
Last Wednesday the 92nd Street Y presented the friendliest-ever episode of American Gladiators when Lawrence Brownlee and Michael Spyres continued their bel canto bromance with a delirious (almost) all-Rossini recital accompanied by Myra Huang.
Lawrence Brownlee and Michael Spyres are two singers at the top of their game, as this concert showed, virtually peerless in music as punishing as it is pretty.
Erato’s irresistible Rossini collection Amici e Rivali is hands down my favorite vocal CD of 2020, featuring the inspired bravura sparrings of Lawrence Brownlee and Michael Spyres.
A particularly heartbreaking aspect of the pandemic shutdown has, of course, been helplessly watching rising artists have their careers plunged into indefinite silence. But for a few bold souls who are willing to try new things, the moment has also opened doors.
b>Lawrence Brownlee, star tenor of stage and NFL games is a real “pillar of the community.”
Lyric Opera of Chicago presented a highly anticipated joint recital featuring tenor Lawrence Brownlee, bass-baritone Eric Owens, and accompanist Craig Terry.
Opera Philadelphia announced today that Lawrence Brownlee has joined the company as an Artistic Advisor.
The good news is that the first concert was devoted to the exceptional artistry of Lawrence Brownlee.
The sound of Joyce DiDonato, Lawrence Brownlee and John Osborn nailing La Donna del Lago’s thrilling second-act trio alone made worthwhile enduring one of the ugliest, most bone-headed productions seen at the Metropolitan Opera in many a year.
The Apollo Theater and Opera Philadelphia just announced that Charlie Parker’s YARDBIRD will have its New York premiere in a co-production between the two institutions, April 1 and 3, 2016.