This is an astonishing recording by one of the greatest singers of the 19th century.
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Pick a little, talk a little
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
The Greatest Thing Ever (AKA Lisette Oropesa) in a stunning performance of “Martern aller Arten”
Following last week’s multiple versions of three prime concert arias, Chris’s Cache concludes its Mozart month by offering more of those special vocal works, this time twenty-five arias for mezzo, tenor or bass, as well as more for soprano.
Never heard more beautiful runs than by Della Casa.
Idomeneo from the 2022 Aix festival. A wacky production, with those moving towers, but the cast is outstanding: Michael Spyres (Idomeneo), Anna Bonitatibus (Idamante), Sabine Devieilhe (Ilia), Nicole Chevalier (Elettra); Raphaël Pichon, Conductor.
One of the most purely gorgeous voices I’ve ever heard live.
Mozart: Zaide, K.344 / Act 1: “Ruhe sanft, mein holdes Leben” · Lucia Popp · Vienna Haydn Orchestra · István Kertész from Mozart Opera Festival ? 1972 Decca Music Group Limited
One of my most favorite pieces is Barbarina’s delightful opener to Act IV of Le nozze di Figaro, “L’ho perduta, me meschina!” from the recording conducted by Otto Klemperer.
Nothing to add here – Just heavenly singing from one of my all-time favorites.
Sabine Devieilhe sings a lot of stellar Mozart — Ilia, Susanna, Blonde, a fierce Queen of the Night — but it’s her 2015 concert-aria recording, featuring hubby Raphael Pichon and his period ensemble Pygmalion, to which I return most often. Stick around until the VERY end of the final track for an ass-kicking surprise. (Or should I say…ass-licking? ;)
The combination of a young opera director who is a little bonkers and a seasoned Mozart soprano (this was Lenneke Ruiten‘s 13th Mozart role on stage) resulted in one of the best performances of Nozze di Figaro I’ve ever seen.
As most of you probably know, I worship at the altar of Moffo the way some worship Callas. She has so many great complete recordings, including Falstaff, Luisa Miller, Lucia, Rigoletto, etc. But one of her very best is this Nozze. Carlo Maria Giulini leads an absolutely perfect cast.
I was so beguiled by Erika Baikoff when I saw her perform at the Sag Harbor Song Festival back in September. Such a lovely and musical voice that just flows and when she sang this, she got mid-note applause during the final sustained B.
Sometimes–to negotiate the High Gee!s, as it were–you just need to call in Edda Moser.
Mozart’s Le Nozze di Figaro, Paris 1980: Georg Solti, Lucia Popp, José Van Dam, Gundula Janowitz, Gabriel Bacquier, Frederica Von Stade.
Sing High, Sing Low – My favorite Fiordiligi
I’ve shared this before but this is one of the most perfect pieces of Mozart singing and acting I’ve ever come across.
At the time of the recording’s release, Kathleen Battle was getting established.
Instead of giving laurels to a performance already praised since a long time, my choice will be Don Giovanni, Metropolitan Opera, May 2023.
Eleanor Steber shows us how it’s done.
Edita Gruberova as Donn’Anna — “Crudele? Ah no, mio bene … Non mi dir”
Lorraine Hunt Lieberson sings Mozart’s great K 523, ‘Abendempfindung an Laura’ live at Ravinia with Peter Serkin, August 2004
For many opera lovers of the Baby Boomer generation, German bass Kurt Moll (1938-2017) was Sarastro, exuding wisdom and kindness through his unaffected bearing and incomparably rich, homogeneous sound.
Così is an almost post-modern opera, in that it mocks the bourgeois construction of ‘love’ as a socially-sanctioned precursor to matrimony.
