Curtis Opera and a charming cast of young singers cast a spell with their beguiling production of Britten‘s A Midsummer Night’s Dream.
Gregory Spears’s Sleepers Awake mystifies and delights at Opera Philadelphia.
Gregory Spears, whose newest opera Sleepers Awake opens this week at Opera Philadelphia, is reviving Romanticism
Led by Yannick Nézet-Séguin and Yoann Combémorel, the Curtis Symphony Orchestra proves themselves the equal of any major American orchestra in a program of Mahler, Wagner, and Dawson.
Madama Butterfly confronts anime, virtual reality, and weeaboos in Matthew Ozawa‘s bold production at the Lyric Opera of Chicago.
Golda Schultz and Jonathan Ware present Dark Matter(s), an intriguing program of songs, at the Philadelphia Chamber Music Society.
David Fox and Dan Johnson report on Yannick Nézet-Seguin‘s recent performances of Mahler’s Symphony No. 2 with the Philadelphia Orchestra in Philadelphia and New York.
Time to Act at Pittsburgh Opera effectively employs Greek tragedy to explore the all-too-common tragedies haunting schools across the United States.
Baritone John Brancy smoothly traverses the American songbook at Carnegie Hall.
The dazzling and deeply moving Complications in Sue bodes well for Anthony Roth Costanzo‘s stewardship of Opera Philadelphia.
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
Global warming meets the cool factor in The Seasons.
Matthew Polenzani charms the pants off of Philadelphia.
A consideration of Anika Kildegaard’s extraordinary recital in Philadelphia—and the oddity of recitals themselves.
Composer Philip Venables talks about queer utopias and bending gender and genre in The Faggots and Their Friends Between Revolutions which opens at the Park Avenue Armory this week.
Pittsburgh Opera’s Fellow Travelers delivers a timely story with detail and care.
In his new production that opens at San Francisco Opera this weekend, Matthew Ozawa is creating a Parsifal for the cancel culture age.
Opera Philadelphia’s Il viaggio a Reims in a nutshell: Hyperactive, confusing, and distracting from (and sometimes for) the singers? Yes. Imaginative, wildly entertaining, and musically rewarding? Absolutely.
Yannick Nézet-Séguin leads the Philadelphia Orchestra, Stuart Skelton, and Nina Stemme in a Tristan und Isolde for the ages
A fine Don Giovanni at Opera Philadelphia rounds out the company’s inaugural season under Anthony Roth Costanzo
It may be blasphemy to admit—particularly this month—but usually I can either take or leave Donizetti’s serious operas. However, I love the composer in comic mode, so Chris’s Cache runs with that sentiment in offering three recordings of Don Pasquale.
The nail-biting adventures of Voltaire’s titular hero Candide are hardly more circuitous than those faced by Leonard Bernstein’s 1956 Broadway musical adaptation.
Opera Philadelphia announced today its 50th Anniversary 2025-2026 season, the second under the leadership of Anthony Roth Costanzo, but the first to bear his distinctive imprint.
Operettas always seem to be on the menu for New Year’s Eve, so Chris’s Cache joins in with a broadcast of Offenbach’s delicious La Grande-duchesse de Gérolstein featuring Stephanie Blythe in the title role.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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