La fiamma è bella!
A new recording of La fiamma from Deutsche Oper Berlin sets Respighi’s score ablaze.
A new recording of La fiamma from Deutsche Oper Berlin sets Respighi’s score ablaze.
“Protect the dolls, they say, but who really cares for them?” This question, posed by performer Mara Snip during the postlude of Neuköllner Oper’s 1000 Airplanes on the Roof, had a clear answer: Aliens.
Michael Thalmeier‘s Tristan und Isolde in Berlin asks, how much minimalism is too much minimalism?
Tobias Kratzer‘s time-traveling Arabella from the Deutsche Oper Berlin, now available on DVD, turns the opera’s problems into its strengths.
A new production of Parsifal at San Francisco Opera stirred something deep inside Michael Anthonio about how music soothes the soul
I was first exposed to Hänsel und Gretel as a child, likely via The Metropolitan Opera’s 1982 PBS telecast.
Anthony Hüseyin‘s eclectic recital in Berlin explores femicide in opera through a queer, nonbinary lens.
The opera is life affirming, but also recognizes that life comes to an end.
Nowhere are the contradictions between Wagner’s small-mindedness, his meanness of spirit, and his human insight on clearer display than in Hans Sachs monologue Wahn, Wahn überall Wahn in the third Act of Mesitersinger.
Dame Gwyneth Jones as Brünnhilde pretty much started it all for me.
Tobias Kratzer‘s Das Rheingold in Munich kicks off a Ring for the post-secular age
Valentin Schwarz‘s and Simone Young‘s Ring, in its final outing at Bayreuth, is dramaturgically messy and musically excellent.
This summer’s festival, taking place amid record high temperatures and in the wake of its artistic director, Pierre Audi, featured a disquietingly zeigeisty focus on sexual violence.
In Lohengrin, populism comes to an apocalyptic end on the Bavarian stage
I suppose Der fliegende Holländer is my favorite Wagner opera — a riveting masterpiece from start to finish, dramatically and musically.
A performance recorded earlier today at the Bayreuth Festival
Claus Guth mines urgent and contemporary commentary from Die Liebe der Danae in Munich.
The final installment of the 2025 Ring from Bayreuth
A revival of the furious I masnadieri at the Bayerische Staatsoper falls short of perfection – and there’s nothing wrong with that.
A performance recorded earlier today at the Bayreuth Festival
Pénélope at the Bayerische Staatsoper’s summer festival spotlights the crossroads between the nostalgic and the progressive.
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