Sing of happy, not sad
Matthias Davids‘s reactionary new production of Die Meistersinger von Nürnberg might be fun, but no one comes to Bayreuth for fun.
Matthias Davids‘s reactionary new production of Die Meistersinger von Nürnberg might be fun, but no one comes to Bayreuth for fun.
The third installment of the 2025 Ring from Bayreuth
A slightly delayed broadcast of the second installment of this year’s Ring from Bayreuth
A live broadcast of the first installment of this summer’s Ring from Bayreuth
A live broadcast of the opening of the 2025 Bayreuth Festival
Christian Thielemann conducts a live broadcast from Berlin
Jacquelyn Stucker talks to Kevin Ng about repertoire, tearing down the Fach system, and what it takes to make music from baroque to George Benjamin her own.
Les Brigands at the Paris Opera is an expensive joke that never lands
Daniele Rustioni leads a verismo double bill recorded in Munich last month
A performance recorded earlier this month in Dortmund with Angelo Villari and Pretty Yende
Konstantin Krimmel plays the title role in a live broadcast from Munich
Kent Nagano‘s and the Richard-Wagner-Akademie‘s historically informed Ring Cycle takes on Siegfried in Dresden
Opera Director and Detroit Opera Artistic Director Yuval Sharon begins his recent book A New Philosophy of Opera by imagining a future – some forty to fifty years from now – in which opera ceases to exist as an art form.
Contrasting approaches to Regie duke it out in Cavalleria rusticana & Pagliacci and Rusalka in Munich
The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters
Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’
Madison Schindele on loving Die Frau ohne Schatten as a “woman of childbearing age”
Rachel Willis-Sorensen sings the title role for the first time in a live performance from Berlin.
Christina Nilsson‘s debut enlivens the Met’s new Aïda.
Corinne Winters sings the title role in Janácek‘s opera live from Munich.
Eli Jacobson inaugurates parterre box’s new “Perspectives on the Aria” feature with a deep dive into Leonore’s “Abscheulicher!” from Beethoven’s Fidelio which returns to the Metropolitan Opera tomorrow with the Met’s current dramatic soprano star Lise Davidsen as Leonore.
Opera San José (OSJ) is continuing the second half of its 41st season with a company premiere of Béla Bartók’s Symbolist opera Bluebeard’s Castle (A kékszakállú herceg vára), with a libretto by his friend and poet Béla Balázs, and OSJ truly spared no effort to make the occasion a memorable one.
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